ENG 301 11.M: Community Engagement Projects

Today’s Plan:

  • Extra Credit Opportunity
  • Community Engagement Projects

Below I lay out 4 different project options. We will be working on these projects for the next three weeks. That gives us this week to do preliminary research, next week to draft and develop content, and a third week to revise and polish materials before delivery.

Extra Credit Opportunities

I’ve got three upcoming extra credit events:

  • Wednesday, November 1st: Abbo on Wolves
  • Thursday, November 2nd: Dia De Los Muertos
  • Thursday, November 9th: Nope at Lindou Auditorium (basement of Michener Library)

Option #1: Go West Grant Writing Project

The first project option this semester is to research funding targets for the Go West Film festival. We will use the libraries CRC database to put together a preliminary list of targets (Proficiency Deliverable #3). I have the start of a list from fall of 2022.

Once we have a list together, then you will want to use the Foundation Directory Database to investigate our potential targets. This will provide us with a much more detailed understanding of their typical gOnerant award and funding priorities. Unfortunately, I do not believe that the Foundation Directory offers a free trial anymore (these used to be available for 24 hours but I see no mention of them anywhere on the current website). This means we’ll need a group to travel a bit.

That trip should produce a slideshow of screenshots, something like this (that slideshow was for the Poudre River Trail Corridor Inc).

NOTE: Depending on the level of access the public libraries offer, you may have access to even more information, including a grantmaker’s 990-PF forms (these are tax forms for non-profits). Our research becomes stronger if we are able to mine additional information on the giving histories of our best targets.

If we spend this week and weekend gathering research, then we can spend next week actually drafting the report. That link goes to a Hanover Research report, which can serve as a structural/organizational model for our own work.

Option #2: Go West UX/UI Report

The second project centers around the Go West Film Festival website. I believe the site could use some love, and this group will put together a list of potential changes–both in terms of content and user interface. My goal is to pass on that report to whoever interns with the organization next fall (I’ll be looking to recruit an intern for the organization for Fall 2024 in ENG 328 this spring).

There is an obvious catch to this: the design team hasn’t worked on UI so far this semester. But, with a bit of reading, I think we should be able to conduct a basic Usability Test. We might dedicate a day of class next week to run a “card sorting” test of the web site (a pretty common, user-driven exercise to explore top-level navigation).

First, we’ll need a catalogue of content currently on the site. What do they have? This practice is commonly called a content map, and building one helps us to understand what assets they have and how that material is currently organized. So that would be this group’s first priority: to build a content map. [The previous hub spot link has a template; alternatively, students have done this in Google Docs]

Second, once we have that map, then we will want to put together a report on the site that discusses a reorganization and lays out technical issues.

Option #3: Go West Social Media Content Calendar

This project develops from the third proficiency project, in which I asked you to develop a content strategy document (how do Campbell’s 6 different content strategies map on to Go West?) I haven’t seen the third proficiency project, so I am unsure how much progress you’ve made here. The research stage of this project, then, is to finish up that project, data mine the peer organizations you identified earlier for content types and suggestions, and have a catalogue of the kinds of content you think Go West could produce and distribute.

The second stage of that project would be to develop a social media content calendar that maps out content for September, October, and November of 2024 (assuming the film festival is the second week of November, the 4th through the 8th). This includes creating photo assets, drafting copy, and mapping out times of the week for an intern to respond to comments.

Option #4: Publishing Research

Finally, I have a one or two person project. I want to try and build out our internship program, and to do that I need a sense of where in Colorado I might place students. I found a website that lists 74 different publishing houses in Colorado. I need some folks to go through that list, contact organizations to see if they would be interested in developing a potential internship relationship, identifying if interns would be expected to be on site or could work remotely, and other stuff that I cannot even think of yet. Put simply, I do not have time to even go through this list to check how many of these places are still operating (I have no idea how old that website is) and how many of these places are geographically viable (though I know UNC students sometimes commute from pretty far away) and/or how many of these places have contacts for potential interns.

Homework

  • Grant Writing: Synthesize existing Go West funding possibilities into the spreadsheet I’ve linked above
  • Go West Web Site: Read Riley Kerr and Rae Friedensen’s Lifestories Usability report. Make a copy of it to use as a template (keeping headings but removing previous content).
  • Social Media: Revise Deliverable #3 and send me a copy so that I can read it before Wednesday’s class
  • Publishing Research: Let’s Talk.
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ENG 225 10.M: Paraphrasing and Working with Secondary Sources

Today’s Plan:

  • Purdue University Guide to Paraphrasing
  • Paraphrasing Secondary Material
  • Introducing and Contextualizing Sources

I want to spend time today on working with sources. First, we’re going to think about how to condense longer direct quotes into short, efficient paraphrases. Essentially, a paraphrase is simply putting someone else’s work into your own words. Paraphrases condense and clarify sources.

When I draft a paper, I tend to use a lot of direct quotes. As I revise, and especially as I do the work to contextualize and summarize quotations in my paper, I find I can take a lot of them out. We’ll start with the Purdue OWL’s six-step system for paraphrasing. I’ll say upfront that I agree with their claim that working through these steps often helps me better understand the source material I am working with. That is, learning to paraphrase doesn’t just help you communicate better, but also think better too.

(Modified) Purdue University Guide to Paraphrasing

Here’s a link to the original 6 step Purdue Guide. Here’s my slight modification:

  1. Reread the original passage sentence by sentence until you have a grasp of 1) what it is arguing [the claim] and 2) what it is offering as evidence
  2. Write out a list of key terms or phrases that you would need to explain to someone who hasn’t read the original work. What specific-tricky-key language does the original contain
  3. Take a swing at paraphrasing the material
  4. Afterwards, check to see if you’ve included all of the terms from step #2. Check your rendition with the original to make sure that your version accurately expresses all the essential information in a new form.
  5. Use quotation marks to identify any unique term or phraseology you have borrowed exactly from the source. For instance, if I were writing about Sicart, I would quote “player complicity” or “instrumental gaming” the first time those phrases appeared, since they are so specific to his work.
  6. Craft a quality signal to proceed the paraphrase

Paraphrasing Secondary Material

I have two examples for today’s class:

Introducing and Contextualizing Sources

Finally, I want to swing back to a lecture from earlier in the course.

Homework

For Wednesday, if possible, bring a pair of headphones to plug into the lab computers in Ross 1240.

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ENG 229 9.W: Maira Kalman and Electracy

Today’s Plan:

  • A little history: Technoadherents and Technoskeptics
  • A little ontology: Orality, Literacy, and Electracy
  • Maira Kalman
  • What Is/n’t The Kalman Project

A Little History: Technoadherent and Technoskeptics

“I’ve come up with a set of rules that describe our reactions to technologies:

  1. . Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
  2. . Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
  3. Anything invented after you’re thirty-five is against the natural order of things.”
  4. Douglas Adams

I’m starting a little bit in left field, I know. What does Kalman’s work have to do with the history of the philosophy of technology? Something, I promise. Bear with me a bit.

Working quick and dirty (in academic terms in sweeping generalizations), I want to sketch two historic attitudes toward technology. Here, “technology” simply refers to any invention that changes or augments our ability to do things in the world. Chances are good that you’ve heard me talk about Walter Ong and writing as a technology. If you haven’t, then you will pretty soon. But, for now, let’s just think about technology in general–technology as a tool that alters how we perceive or navigate our world.

So, two attitudes. I don’t want to call them technophile and technophobe. This isn’t about love or repulsion. Let me rather call them technofaithful and technoskeptic. Faithful and skeptical of what? Of whether technology will act as a force of liberation or domination. Does technology make us better, more capable, more efficient, or does it make us more artificial, pulling us away from a natural purity, simplicity, or organicism?

On the one had, there are those that see technology as tied to progression, both in a general “wow life is good” and a Marxist “wow, we can redistribute labor and wealth” sense. Not all technofaithfuls have to believe in both senses. But generally, these folks see technology as freeing humans from some forms of labor, opening time and space for different kinds of work/investments. Furthermore, these folks also see technology as allowing increasing communication, connection, and exposure, allowing us to be more democratic, productive, and ethical, i.e., the more we are exposed to difference (cultural, racial, etc), the better we come at handling the disequilibrium difference causes. Technology allows more free access to information. Technology allows more opportunities for invention, ingenuity, and development.

One the other hand, we’ve got folks like Heidegger who frame technology within a desire for efficiency (two reminders: Heidegger is a fucking Nazi; one cannot talk about 20th century philosophy without him. His meditations on how we experience time, and how our relation to time shapes the phenomenological state in which we encounter the world, is perhaps the greatest philosophical development of the 20th century.) Heidegger’s essay “The Question Concerning Technology” argues that increasing technological advances develop in us an unconscious dedication to see everything in the world as “standing reserve,” such that everything, every being (even and especially human being), comes to be “yet to be processed.” Nothing gets to be, to exist, to develop, to flourish, outside of this pressure to be useful, efficient. Technology, for Heidegger and the techno-skeptics that follow his critical tradition, is always already tied to ever increasing forms of homogeny and domination. In simplest language, technology means only efficiency, efficiency as a divine value over everything else (Robocop, ED-209, parts on back order for the next twenty years, who cares if it works). Rather than opening a more inclusive, public, democratic spaces, technology carves out more exclusionary, private, demogogic spaces (for purposes of this sentence, democratic are places where we encounter and negotiate difference, demagogic are places where we celebrate the same and/as we castigate difference). Rather than distributing wealth and capital, technology allows capital to be more centralized in the hands of the few.

So, two attitudes toward technology. I’ve dedicated more time to teh second only because I think it is the more complicated notion, not necessarily because I think it is the more correct one. What if parts of both are true? What if our existence with technology is always inhabited, permeated by faith and skepticism? What if our experience with technology is caught up between these two pole positions? A tension wire?

If you are wondering what this has to do with our class: video is a technology. What if technology both increases our access to our world and each other *and* demands ruthless efficiency?

What can we do? Can Kalman help us do something?

A Little Ontology: Orality, Literacy, and Electracy

Before I (probably don’t) explain what any of this has to do with Kalman we need to take another intellectual detour, to a body of scholarship often referred to as “media affordance theory” or “technology affordance theory” or just plain old “affordance theory.” A few names here: Walter Ong studied how the development in writing in ancient Greece transformed not only *how* the Greeks communicated, but also what they thought reality was (and their corresponding understanding of metaphysics–what/how exists in this world and world(s) beyond the pale of reality’s horizons), what they thought knowledge was, what they thought a human was, how they thought we should govern, and how they thought we should treat each other. The written word, then, influenced not only communication, but ontology, epistemology, subjectivity, politics, morality, and ethics.

Apparatus theory is the name Gregory Ulmer gave to the study of how different technologies (re)shape us. Much of this work traces back to Walter Ong. I teach Ong in a lot of my other classes and have a stock lecture on him. Ong argues that “writing is a technology that restructures thought.” That’s the name of the very useful essay he wrote near the end of his career that attempts to sum up decades of reading and theorizing. It is a useful essay. Let’s examine it quickly.

In the essay, Ong traces out a few dozen effects that literacy has on human consciousness. Most of these things can be summarized as a few criteria:

Literacy emphasizes the abstract. Words are divorced from reality. Words target elements of a holistically experienced reality and parcel them.
Literacy individualizes. When I speak to you as a class, you are a group. When I ask you to read something on the screen, you become individuals. Writing is, most often, a solitary activity. Reading, after, say, 2nd grade, is almost entirely an individual activity (note that I increasingly think this is wrong and college classes should read challenging texts together because something viral and kinetic and awesome happens when you do. And you should totally read books out loud to the people you love). Side notes. Writing and reading are far more individualistic than speech.
Literacy emphasizes logos. [Sigh, I hate talking about rhetoric as ethos, pathos, and logos, but here goes]

When I was writing my dissertation a decade ago, I was one of many scholars prompted by Ong’s work to think about how the Internet might change metaphysics, ontology, epistemology, ethics, etc. I was thinking particularly of Wikipedia, and argued that we would move away from singularity, autonomy, permanence, and certainty and toward plurality, interactivity, transience, and risk/ambiguity. I like Marshal McLuhan and Gregory Ulmer and Elizabeth Eisenstein and others, was interested in how technology was reshaping the way we are–all those things I list above. If I was a techno-optimist, it was because I believe that, as humans, we have to learn to dwell with difference. By nature, we are animals interested only in our self-defense. By “society” or “technology” we learn to repress this natural allergy to difference. I hoped that new media technologies, which can so radically connect us, could aid in this process.

My operating hypothesis is that video amplifies pathos (I’m stealing this from Marshall McLuhan, that video is more immediate than print; Ulmer has a whole thing on “flash reason,” putting the enthymeme in meme). And, in rhetorical theory, “pathos” *can* open us to hospitality (it can also open us to rage and violence). In general use, the terms affect, emotion, and mood tend to be interchangeable. But in psychology–and by extension across the humanities–affect is different from emotion. Emotion is something that I know I feel. I can articulate it. I am consciously aware of it. For instance, I am sad.

Affect is different, however. It points to how “I” feel before I know how I feel. It is the feeling emanating through my body and influencing my consciousness. Affect affects how I exist in the world at a given time. This notion of affect I am developing resonates with Heidegger’s phenomenology–that our experience of our own being occurs within the bounds of a particular, but often inarticulable, mood. Here’s Heidegger’s contribution to philosophy: that mood, something that flows across and through all being (existence) undecideably shifts how we perceive reality. There is no getting outside of ourselves to a realm of pure knowledge, we always know from within a feeling. To dismiss feeling (pathos) in favor of logos (knowledge, truth)–the entire Western intellectual project from Plato to Kant to the atomic bomb–was a fool’s errand.

In Rhetoric, studies of affect explore how places and spaces can subtly influence our moods. Thomas Rickert refers to this as attending to ambience: how space influences affect/feelings and thus structures or influences our experiences. One might be familiar with the derive of Situationalist International from the 1950’s and 1960’s. This semester I am interested in you exploring the subjective, affective experience of a place. The nature of this exploration can vary greatly depending on the place you explore. For instance, a few years ago I visited the African American museum in Atlanta, and it was clear that the place was designed to provoke an incredible affective and pathetic (unconscious and conscious) emotional experience. Other places might provoke a strong affective experience even thought they were not consciously designed to do so.

Stunning Lack of Transition

Suffice to say, the methods we use to think and communicate shape everything we think and communicate. If you think communication is a signifier reaching the ear of another person, then you are likely to think the world in terms of what is immediately present, to see/appreciate the totality of a moment, to judge things in real time. If you think communication as a lone reader deciphering a signifier on a page, then you are likely to think the world (as signifier) in relation to a “distant” (transcendent) signified–whether that signified is a Platonic Ideal, or a Christian God, or an Enlightenment Reason.

Affordance theory came to the fore in the mid-20th century, as theorists from a wide variety of disciplines began to understand that our technological means of communication were changing, growing, incredibly fast. At first, folks thought of radio, telephones, even television as a continuation of literacy. But then, of course we understood them otherwise (Marshall McLuhan’s work is central here). By the time I wrote my dissertation in the early aughts, theorists were speculating about the internet–if, as Ong had demonstrated–writing so radically transformed human experience and culture, what would this new technology do to us, to thought? Gregory Ulmer was one of the most comprehensive writers on the subject.

All of this technological change also occurred within the massive intellectual, political, and aesthetic shift that we call postmodernism. I don’t have time to really explicate postmodernism or poststructuralism here, but I do want to highlight three larger ontological/epistemological/subjective changes it produced.

  • Postmodern theories recognized that human experience and institutions were often underwritten by “metanarratives”–supposedly universal beliefs/expectations/ideologies for how the world works. Postmodernism believed metanarratives were bullshit and harmful to human experience
  • Postmodern theories argued that the desire for universality and objectivity often ended up negating the lives and experiences of people who were not part of the dominant group (white/males). Objectivity wasn’t necessarily something to strive after.
  • Postmodern theories argued that the Platonic/modern/Enlightenment emphasis on Reason and logic repressed pathos and emotion. This was also bullshit and harmful to human experience, since emotion is a natural response that is often rejected by literate/modern/enlightenment philosophy etc

Maira Kalman and What Is/N’t the Kalman Project

Now, if you are smart, you have some sense of why we are reading Kalman in a class on video.

Kalman’s work is not necessarily postmodern. Kalman’s work is certainly not technological in our (or Douglas Adams’) everyday sense of the world. But I think it is electrate.

For the next six weeks, you have a terribly simple but horribly complicated assignment. You have to make me a Kalman that is not a Kalman. That’s it. That’s the assignment. To help with this assignment, I have a very bear bones prospectus for you to complete (by next Monday). There will (of course) be more parameters and expectations–and I will have you develop those on Friday. Eventually we will use my criteria and yours to create a rubric for the assignment. You will write me a final reflection paper (generally 3-5 pages) that explains how you respond to this challenge and evaluates your own work based on the rubric we collaboratively construct.

I want to watch something.

(Note: for those of you who like cheat codes, I have published on this project here and here).

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ENG 225 9.M: Work Logs, Paragraph Structure

Today’s Plan:

  • Work Logs
  • Let’s Talk Writing: Paragraph Structure

Work Logs

Starting this week, you’ll see a Work Log assignment in Canvas. These will be due on Friday.

A work log is a 3-4 sentence description of the labor you invested in your project that week. It details how many hours you spent, and what you did during that time. These do not need to be extensive, especially if I can see the work in your workspace. For instance, you might say “this week I spent and hour and a half writing an annotation and another 1/2 hour developing the survey questions.” Clear cut. I’ll pop in your workspace, take a look, (hopefully) leave some feedback. We’re done.

You might also write something like: “I also spend a half hour searching for more relevant articles on Google Scholar. I skimmed a few of the articles and decided to read one. Finally, I spent a half an hour writing up my methodology section. Cool, I’ll look for some writing in the workspace and check the methodology section. We’re done.

You might write something like: “I spent an hour editing sentences, using the Williams and Bizup stuff that we practiced in class. Then I spent an hour working on topic sentences.” Cool. Assuming you link to a Google Doc draft of your paper, I’ll pop in, check the version history, and provide some sentence-level feedback on your revision/editing process.

You might write something like: “I met with my partner/team and we had an hour-long conversation about [something]. I then spent an hour working on my analysis of [something].”

You might, for the next two weeks, write something like: “I spent two hours playing my game and wrote up some notes here.” Cool. Games take time to play and that is work. Some of you will be doing that for awhile. But I also want writing beyond note-taking. Starting in early November (two weeks from now), I’ll want a balance between playing/note-taking and paper drafting. Given our use of the social/science paper structure (more on that in a minute), you can write some parts of the paper even before you complete your analysis (lit review, methodology, drafting discussion material).

As you can see from these examples, I expect you to invest two hours a week into our writing projects outside of class. I use work logs here because everyone writes in different ways. I cannot rigidly demand that you do X amount of research or draft Y amount of pages. I can tell you that around November 7th I will ask you to have completed your primary research project (whether gameplay or visual analysis or focus groups or whatever) and that you’ll be expected to have a full draft of your paper the Monday before Thanksgiving. Rewarding the incremental progress you make via Work Logs should help keep you productively on track, however you chose to approach those goals.

Let’s Talk Writing: Paragraph Structure

I want to revisit a lecture from earlier in the course and discuss paragraph structure. Here’s what I presented in that previous class:

  • Does each paragraph open with a topic sentence that lays out the claim of that paragraph?
  • Does it transition into and contextualize evidence?
  • Does it supply evidence (quote, reason, anecdote, etc).
  • Does it summarize and then analyze evidence? [Note summarize and analyze are two different things!]
  • Does the closing sentence of the paragraph “end” the thought by referring the specific claim of the paragraph back to the overall argument of the paper?

And in that class I focused on how to incorporate evidence:

  • How well do you transition into a quote?
  • Do you know how to contextualize a quote [that is, briefly tell the reader where the quote falls in view of the original author’s argument].
  • After a quote, how deftly can you summarize the quote–putting it into your own words in a way that “opens” it up for the reader without sounding too repetitive. This is a skill, a real hard one.
  • AND then, how well do you add something to that quote/evidence that does something with it?

Today I want to focus on the first principle of a paragraph: its topic sentence. Academic writing calls for the topic sentence to be the first sentence more than just about any other genre. That’s because academic writing is structured argumentative writing: the purpose of an academic paper is to make a claim and support it with evidence. In this class I really emphasize the “scientific” structure of a social or hard science paper (introduction, lit review, methodology, results, discussion, conclusion) because I believe using such a “global” structure makes it easier on developing writers: every section of the paper has a clear goal and, as a reader, I have a clear expectation of how each section advances the argument.

Topic sentences are such an ingrained part of academic writing for the same reason: they make it easier on a reader to follow an argument. The first sentence of the paragraph makes clear how that paragraph furthers the argument. It makes clear what that paragraph offers.

I expect writers to struggle with topic sentences in early drafts, because (again) we often don’t know what we think when we are writing our first draft. Thought is emergent. It happens as we write. So I don’t introduce topic sentences today with the hopes that you will be able to write them as you draft your paper. Rather, I want you to incorporate today’s lesson into your revision process–so that you give a paper a read and identify what every paragraph is, could, or should be doing. This might lead you to recognize that a paragraph has more than one claim/purpose and think about how to revise it. Or you might realize that you have a paragraph that’s a series of claims with no evidence. This is pretty standard in drafts! We start writing, and a bunch of ideas come out. And that is awesome! It is also a mess that we have to fix! Praise be to shitty first drafts.

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ENG 229 7.M: Sharing Proposal Ideas

Today’s Plan:

  • Think and Freewrite
  • Share
  • Share Again

Proposal Project

On Friday I introduced the Proposal Project and shared a link to the template. We’ll spend today’s class working on ideas for the proposal. I’ve got a short proposal pre-writing assignment for you to submit to Canvas before Wednesday’s class. We’ll be in the computer lab on Wednesday–my hope is to have targeted writing goals for each group and team based on the pre-writing activity. Ethical question folks: I will give you time to work on a heuristic for analyzing games on Wednesday. Representation folks: I am hoping to help you think about methodology for collecting objects to analyze Wednesday.

Think / Share / Share Again

  • Think and Free Write [5 minutes]: I’ll ask you to free write for ten minutes. Please identify: What you want to analyze (one game, a few games, game covers, user reviews) and–if possible–what you want to focus on
  • Share: [15 minutes]: Get into groups of 3-5 (Ethical folks will need to form at least 2 groups). Quickly share your ideas. Make sure everyone has a chance to speak.
  • Share Again: [25 minutes]: I’ll ask you to share your idea with the whole class. My reason for doing this is to see if we can locate potential partnerships, ways to combine efforts in data collection or even analysis. Everyone will write their own papers, but I think projects really benefit from pooling labor.

Homework

Two things:

  • Complete the Pre-Writing “Quiz” in Canvas (two questions)
  • I’ll have extended office hours tomorrow (Tuesday) from 12:00 until 1:00 and then again from 2:00 until 3:30
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ENG 301 6.F: Social Media Crash Course

Today’s Plan:

  • Reading Response Update
  • Elements of a Social Media
  • Concise Writing
  • Social Media Contest

Elements of Social Media Management

Tweet composition exercise:
We’ve been hired by Composition Studies to craft a tweet celebrating the 40 year anniversary of Jim Corder’s “Argument as Emergence, Rhetoric as Love.” Our tweet:

  • has to include the name of the journal
  • has to include a mention of Jim Corder (@jimmycorder)
  • has a twist
  • Since it is a tweet, we have 280 total characters with which to work

Here’s a place to post your tweet!

UNCO English and Halloween

I’m saving the last 20 minutes of class to discuss this project.

NOTE: Make sure you are designing a contest that you would actually participate in! Because, um, y’all will (and so will all your classmates). Here is a link to the Google Drive folder for media assets.

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ENG 225 6.F: The Proposal Project (And Surveys)

Today’s Plan:

  • Sharing the Proposal Template
  • Let’s Talk Surveys (And Qualitative Research Principles)

Introducing the Proposal Template

Here’s a link to the proposal.

In Monday’s class, I’ll ask you to meet up with your folks and share initial project ideas. Wednesday will be a work day in the lab. On Wednesday I will try to meet with potential teams to discuss data collection and norming; I’ll ask folks doing a standard Sicart analysis to try and draft a clean heuristic to analyze a game. On Friday, we’ll cover characters and actions again in class (or I can give teams more time to work on the proposal sections–let’s check in at the end of Friday’s class).

Surveys

Surveys typically collect three kinds of information:

  • Attitudes and Preferences [data]: Generally leans towards what we should do.
  • Opinions and/or Reactions [data]: Generally measures thought about what we have done.
  • Demographic information [What do I need to know about my audience to frame my data]

Generally, you measure attitudes and preferences using multiple choice, ranking (favorite to least favorite) or likert scales. While the term likert scale might be unfamiliar, I can almost guarantee you’ve encountered one before.

  • It is very likely you have encountered a Likert scale
  • It is likely you have encountered a Likert scale
  • It is neither likely or unlikely you have encountered a Likert scale
  • It is unlikely you have encountered a Likert scale
  • It is very unlikely you have encountered a Likert scale

Note: social scientists and marketers often omit the middle option above. Doing so forces a respondent to make a decision (the middle option provides them an opt out).

Note: If you do a ranking scale, make sure you tell someone whether 1 is their favorite or 1 is their least favorite. That is, if you ask someone to rank their preferences from 1 to 5, then be sure to write something like: please rank the following options from 1 (least favorite) to 5 (favorite).

We can collect more information in surveys via open ended, free write questions. There’s a few issues with these though. One is that people are likely to skip them. If you have more than one of these in a survey, your response rate is likely to plummet. The other difficulty is that these require quite a bit of time to “code”: that is, to go through and synthesize responses. However, that time is usually rewarded; for instance, I’ve published several articles on experimental class projects and I often get the best data from open-ended student responses, but this data takes much more time to analyze than a likert question.

Collecting demographic information is tricky because (some) people are skeptical of surveys. People can become suspicious if they think they know what your survey is attempting to prove. This can, if they disagree with you, create animosity, and lead to survey trolling. This is one reason it is important to create neutral, objective, balanced questions that do not preference a particular response.

Survey skepticism can often surface as a resistance to supplying demographic information. You have to think about what information you need to meaningfully code and analyze your data. A lot of the time, I complete a survey and wonder why they need to know how old I am or my sexuality. However, sometimes demographic information is extremely important–especially if we hypothesize that subject position informs outlook. So–an important preliminary question is to ask whether I *really* need to know demographic data.

If you need to collect demographic data, particularly data relating to race, sex, gender, and/or sexuality, then you need to be careful, diligent, and respectful. I think gender and sexuality are particularly difficult these days, given the rapid reconceptualization of those concepts (which is a good thing). So we should spend some time investigating how to ask demographic questions, particularly about gender and sexuality.

There’s more information on question types and some tips in this article.

What Not to Do in a Survey

Some general tips (emphasis–avoid loaded words). Some more tips (emphasis–use audience’s language).

Ok, let’s try an exercise.

A classic example of how not to construct a survey.

Okay, now let’s try crafting a survey question.

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ENG 301 6.W: Design Crash Course

Today’s Plan:

  • Golumbiski and Hagen, Design Sins
  • Robin Williams, The Basic C.R.A.P.
  • Golumbiski and Hagen, Works Every Time Layout

Golumbiski and Hagen’s Design Sins

Let’s talk about what *not* to do. Here’s a link to G+H’s White Space book. Marc: scroll down to their 5 steps for visual success.

Robin Williams’ Basic Design Principles

My first foray into design was Robin Williams’ Non-Designer’s Design Book. In it, Williams lays out the basic C.R.A.P.:

  • Contrast
  • Repetition
  • Alignment
  • Proximity

These principles still ground a lot of design theory two decades later. Those who read White Space will encounter them with some different names, but the principles remain the same. For instance, let’s check out the website Clean Up Your Mess, which offers an example of Williams’ principles in action.

Creating a G+H Works Every Time Layout

First, some materials. We need properly sized placeholder images. Either 1/3 of the page or 2/3 of the page.

  • 1/3 Image
  • 2/3 Image

Second, an acknowledgement. G+H’s aesthetic grows out of a late modernist emphasis on clean, efficient, “modern” design. And this kind of design still wins awards today. Take, for instance, the 2022 Graphic Design USA Inhouse Award Showcase winners. But there are more postmodern? (no) contemporary approaches to design, approaches that are a bit more idiosyncratic or chaotic (see 99 Designs 2022 awards). These are harder to teach and to assess. History of graphic design and technical communication vs art.

Third, the problem with Canva (and, to a lesser extent, a problem with Word templates).

Okay, now back to G+H’s White Space book. Let’s look at the works every time layout.

Homework

Use G+H’s “Works Every Time” Layout to redesign your unfortunate flyer.

While I don’t particularly care what technology you use for this redesign, I recommend *not* using Word, simply because you will be fighting against the program.

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ENG 229 6.W: Work List #5 and (Looking Ahead) Work List #6

Today’s Plan:

  • Work List #5: Editing Go West Film Festival Footage

This week we are going to start working concurrently on two projects. Today we will start editing footage from last year’s film festival. As that project wraps up, everyone will develop a potential opening credits sequence for our clips. As you are working on the former, identify good shots / b-roll that might appear in the latter.

Editing Go West Film Festival Footage

I have footage from several different speakers:

Here’s a link to the folder with the general assets.

Today’s Plan:

  • Watch the “completed” clips from 2022 together
  • Go over the list of collective assets
  • Brainstorm a list of things we should / need to do. We want to create branding across clips
  • Form Teams and Distribute Assignments
  • ON FRIDAY: We will import the clips into a Premiere project [NOTE: computers don’t get wiped regularly]. I will show you how to stabilize clips, how to zoom and crop a clip, [what else comes up in the brainstorm that you need/want to know how to do?]

Homework

Watch and rename clips. Identify segments to include in final videos. Upcoming work: make an 8 second introductory sequence.

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ENG 229 6.M: Real Talk and Proposal Assignment

Today’s Plan:

  • Real Talk
  • A Few Thoughts

Real Talk

According to the syllabus, we are supposed to move on to proposals this week. However, only 8 of 16 students have completed the third worknet (which were due last Friday) and we have a 4th worknet due on Wednesday. On the one hand, reading and writing about one research article a week doesn’t seem like an overbearing ask. On the other hand, moving onto the proposal assignment before folks catch up on the worknets seems bad. So, I’m going to push back on introducing the Proposal Assignment until Friday.

Wednesday will be a work day in the lab so that you’ll have time to catch and/or finish work list #4. I will be taking attendance Wednesday–consider it a mandatory reading/writing hour.

A Few Thoughts

I’m reviewing the Worknet #3 submissions. A few things:

A few of you have read Pozo’s Queer Games After Empathy: Feminism and Haptic Game Design Aesthetics from Consent to Cuteness to the Radically Soft.” I was wondering, can you transform Pozo’s description of haptics into a checklist for examining a game? I was having some difficulty figuring out how to “operationalize” these ideas.

I wanted to talk about paraphrasing and explication. Ethan took a swing at a difficult concept from Hammar’s article:

This article is focused on something called “prosthetic memory”, or “how contemporary mass media enables the formation of sensuous mnemonic limbs in audiences.” A mnemonic limb, “meaning a sensuous prosthesis formed from the affective engagement with historical mass media, i.e. cultural constructions.” The article applies these concepts to the game Mafia III and the racial implications in the game’s story. Hammar argues that by playing as a black man in the south in the 1960’s, a mnemonic limb may be formed for non-black players to better understand black experiences. He also argues that critics should have a power-hierarchical mindsets when analyzing media to better understand it.

Semantic
Prosthetic memory- In essence, a prosthetic memory is a memory of an event that was never experienced. Hammar argues that these can be helpful in creating a layered game with positive real world consequences. He argues that in Mafia III, the prosthetic memories of being a minority and the oppressive experiences that come with it can help players in real life become more empathetic.

Finally, for Sicart folks, I want to look at a section from his book [files section of Canvas].

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