Santos on Fish on Donoghue Take Two

My last post came on little sleep, so I thought I might try again. Actually, I already tried again in an email exchange with an old friend. He wrote to get my thoughts on Fish’s piece. Here’s my (hopefully) more coherent response:

As a rhetorician, I’m in a weird spot. I am a member of the humanities, sure, but not necessarily the Humanities [the remnants of the Arnold’s liberal arts, those non-utilitarian caches of Culture]. I do things, I produce things, I engage actual people and practices. Although I work with “high theory,” I attempt to reconcile high theory with everyday life. Rhetoric has been disparaged for the last 200 years by the very disciplines that Fish sees as dying.

Chances are this is some remnant of the Clark experience. The whole “peas in a pod” thing, our social obligation, blah, blah, blah.

Still, there is a part of me that believes education involves periods of pointless exploration (in rhetoric we refer to this as “invention”). The H/humanities excel at such intellectual wandering. Yet, in an era marked by increased demand for results, education is more and more becoming exercises in accountable delivery. It is hard to measure wandering. So we resort to teaching rather than attempt to learn.

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Fish on Donoghue on the State of the Humanities

Stanley Fish has a review of Frank Donoghue’s recent book The Last Professors: The Corporate University and the Fate of the Humanities. Reading his review, I couldn’t help but think of my recent post on the links between my teaching and Bill Readings’ University in Ruins. Fish sums up Donoghue’s position:

The opposition between this view and the view held by the heirs of Matthew Arnold’s conviction that poetry will save us could not be more stark. But Donoghue counsels us not to think that the two visions are locked in a struggle whose outcome is uncertain. One vision, rooted in an “ethic of productivity” and efficiency, has, he tells us, already won the day; and the proof is that in the very colleges and universities where the life of the mind is routinely celebrated, the material conditions of the workplace are configured by the business model that scorns it

Fish quotes Donoghue’s conclusion: “that all fields deemed impractical, such as philosophy, art history, and literature, will henceforth face a constant danger of being deemed unnecessary.” And Fish applauds Donoghue’s utter pessimism: there is no future for the humanities, no return to glory, no Renaissance. They will all be subsumed under the wave of productivity.

I agree with Donoghue and Fish regarding the humanities future–especially in these economic times. As a rhetorician and a writing instructor, I am not sure how to feel about such a prognosis. While I believe that Universities have a larger obligation to craft citizens rather than scholars, I also feel that literature, philosophy, history, art, and all the other courses on the endangered species list help develop critical and imaginative thinking. These courses cannot be reduced to mere delivery (of static content). They train the brain to produce. But, as Fish points out, that’s not the way these disciplines have conceptualized or marketed themselves in centuries past. Whether they can refashion themselves in the public’s mind as something more than extravagance or intellectual decadence remains to be seen. But, while perhaps as not as absolutist as Fish and Donoghue, I remain skeptical.

Again: I am torn. I am torn because I feel that the Humanities have put themselves in this position. Referring again to Bill Readings’ University in Ruins, this the lingering malaise of the Modern Enlightenment’s divorcing academia from the public sphere (Kant’s mantra to “think, but obey” and his distinction between public and private faculties). Our faculties need to become public once again. The University, as a place X, crumbled. Readings concludes: “In attempting to sketch how one might dwell in the ruins of the University without belief but with a commitment to Thought” (175). And rhetoric, when taught well, does this better than most of the disciplines surrounding it. Sophistic rhetoric is the art of eschewing belief, of dwelling in ruins, or appreciating agonism and celebrating insecurity–all while encouraging critical, thoughtful engagement. Welcome to the parlor. We might not be able to craft Matthew Arnolds, but I’ll settle for Kevin Kellys–people who are active participants in actual (i.e., not-necessarily-academic) social networks. And that’s the real crux–for Kant, for the humanities, for students: in the 21st century, the era of the network, you can’t go it alone; you have to produce something for someone.

Productivity is not necessarily a dirty term. The digital citizenship course I am working with this semester aims to produce humanitarians–people who are critical participants in a community. People who are ready, able, and willing to work with other humans. My job, as a “new” professor, is to help increase the productivity of that work. I do not aim to rebuild a University, rather I hope to build people (such work is risky, ideological, difficult, controversial–but anything worth teaching should involve all four of these things). This is what the humanities need to sell in a very concrete fashion: we build good [productive] people. (Of course, I work at a research university… and they don’t give out tenure for producing people…)

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Thinking about First Posts and Abouts

Today my students will be setting up there blogs. I wanted to think about first posts and/or about pages. These are important to establish the tone, feel, and personality of a blog. Here’s some source material:

Whether through the first post, or through the “about,” or through what you choose to label your links section, some of your important first decisions regarding your blog will be developing your writerly persona. Just as important as telling readers what you’ll be writing about is telling them who will be writing. And this telling need not be explicit (though in the case of Dooce it certainly is, although I would argue that her explicity tells much about her–it is strategically over-explicit–an indication that her writing will share personal details).

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OMG…

This is worth the time:


Chance
Uploaded by titounetsan
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Productive Mess Hits the Airwaves

Here’s some shameless self-promotion: the new issue of Kairos includes my article with Nathaniel Rivers and Ryan Weber “Productive Mess:
First-Year Composition Takes the University’s Agonism Online.”
The article has two main arguments: first, it discusses how to better integrate CMSs into FYC. Briefly: increasing interaction and productivity requires careful, well-planned structure (arguing for heuristics)–going digital doesn’t necessarily mean more engaged students. And the article provides one particular structure that we found effective.

Second–the article questions the purpose of FYC, and, in greater scope, of University education. I believe I will be writing/publishing on this more in the future. Essentially, I think the growth of digital technology will increasingly move us away from the Enlightenment University (as a center of knowledge production) and more toward the university as a center of civil discourse and engagement. Those who know me know my appreciation for Bill Readings’ University in Ruins; I want to spend some more time with that book. I believe Readings’ themes permeate the entire article, even if there is limited discussion of his work.

Posted in digital-citizenship, education, kairos, rhetoric, teaching, technology, theory-in-practice, victory-is-mine, web2.0, writing-tech | Comments Off on Productive Mess Hits the Airwaves

Tour of the Internets

Here’s a work in progress. Next semester I am giving my students a tour of the internet early in our digital citizenship course. Please feel free to make suggestions in the comments.

General Resources for starting a blog-type thingie

Art Traditional and Digital

Cool Hunting

Technology

Finance / Business

Video Games

  • Penny Arcade, some of the most disorienting writing on the web… but everyone in the video game community is aware of these guys
  • Slash.dot and engadget have robust forums dedicated to games
  • joystiq
  • games for lunch
  • dasgamer
  • major nelson, x-box insider and microsoft employee

Sports

Comics and Funnies

Entertainment / Pop culture

Professional Trolling / Punking / Debunking

Politics

Fashion

Music

Smart People Writing Smart Things

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Jack McCoy, Ciceronian Rhetoric, and the art of Pathetic Conclusions

Tomorrow I’m planning a quick, introductory lecture on Ciceronian argument. As such, I’ll be referring to the six-part structure extracted from the Catiline Orations and discussed at length in De Inventione. In brief:

  • Exordium [prepares the hearer… this can be creative, it depends on kairos; thinking of They Say, I Say, this is where you make the case for “who cares?” or “why care?”]
  • Narration [“the facts of the case,” here is an objective overview, or a statement of a problem]
  • Partition [here is where the speaker lays out exactly what they will be arguing; defining the scope of there work. What they hope to accomplish]
  • Confirmation [the presentation of evidence]
  • Refutation [respond to possible objections]
  • Peroration [sums up the argument, usually incites pathos of some kind]

In putting this lecture together, I hoped to find an example of one of Jack McCoy’s closing arguments from Law and Order, by far my favorite television show. Nathaniel River, Ryan Weber and I have talked about doing an article comparing Law and Order and CSI in light of Sophist (non-Aristoletian) rhetoric vs. Platonic philosophy. In CSI, cases are always solved “beyond a shadow of a doubt.” The show is full of cliches testifying that “the evidence doesn’t lie” or “there is always a clue.” There’s even a few episodes in which Grissom staunchly denies that “human observation” (i.e., eyewitnesses) shouldn’t be considered as evidence at all. In the end, a CSI episode wraps up nice and neat (even if there is at times some question as to whether the crime was justified). As a rhetorician, I prefer the “mess” of Law and Order: at the end of every episode, regardless of the legal decision, there is always residual moral ambiguity. In Law and Order, stasis is never as absolute as it is in CSI. In CSI, a dead body always signifies a crime to be solved. In Law and Order, a dead body signifies a social problem. Whether there was even a crime is often a matter of the morality of the jury (and viewer).

Anywho, in searching for a video clip, I came across a PDF article “The Art of Closing” on the impact of Law and Order on juridical practice. While I had heard of the CSI effect (the idea that the show has made jury’s expect rigorous scientific evidence for every conviction), I had not heard of a Law and Order effect. Essentially the author, attorney David A. Gradwhol, argues that the performative and emotive dimensions of McCoy’s closings are having a noticeable impact on jury expectations. I think his conclusions make sound advice for any rhetorician:

  • While attorneys might not be able to reduce their closings to the five-minute (or less) Law and Order versions, they should push for focused brevity: “a focused closing has the power to etch the merits of the client’s position onto the jurors’ minds.”
  • Avoid jargon: “lawyers should not confuse the jury with obscure legal terms… The lawyers’ verbal arsenal should include analogies and key words that elicit strong mental and emotional images for the jury.”
  • While actual closings might not be able to offer moral soliliquies, they can strive “to keep the moral high ground… as they may present issues of moral concern about honoring contracts or providing an injured person with the compensation he or she deserves”

When teaching “academic writing,” I have always struggled to find a helpful way to present conclusions. But I think these two final points offer a possibility of conceptualizing the conclusion as an emphasis on “why care?” Sure, the conclusion needs to remind us of the logos for the argument, but it should wrap this logos in pathos. The conclusion elicits cooperation by arousing passion. Truth can never be divorced from desire–and a strong conclusion needs to remind the audience why they should care to endorse a particular truth.

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Rowan Update

Its been awhile since I have put up anything on Rowan, and I thought I should share our good news. Rowan has finished her final round of chemotherapy. Hooray!

We’ve been having some trouble with her temporary prosthetic (as in it fell out, and Megan and I, despite our best wrestling moves, cannot get that thing back in…), but otherwise things are going well. We will have to travel to Miami once every 6 weeks, and then once every three months for the next year. Rowan will be on high alert for the next calendar year–we have to be extremely careful protecting her from infections (infections, even minor ones, still mean a hospital stay). But they’ll be no more overnight stays in the Jackson Memorial Pediatric Oncology ward. Let me say that again: there will be no more overnight stays in the Jackson Memorial Pediatric Oncology ward.

Thanks again to everyone who has helped us along the way. The support of family, friends, and strangers has meant so much to us through this whole process.

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Lessig’s New Book

One of my heroes, Lawrence Lessig, has a new book out. While the website is up, the book isn’t available for free yet (but I’m sure it will be soon). In the meantime, he recently gave an interview with Colbert.

I’ll have to pick up Lessig’s new book–I am interested in how this interview suggests a change in his argument. He seems to be completely rejecting copyright in this interview (vs. his more moderate position in earlier books). I am also a bit surprised about his “children” argument; I would think that pushing for the economic benefits of free-cultural exchange would be more persuasive to the Colbert audience. I guess its time I give Amazon more money…

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Jim Corder as an Ethic for Blogging

Today I presented Jim Corder’s “Argument as Emergence, Rhetoric as Love” to my expository writing class. I believe Corder’s propositions for “writing with love” serve as particularly apt principles for approaching digital writing. Corder pushes for five core values:

  • The writer is exposed “…the arguer is alone, with no assurance at all that the other or any audience will be kindly disposed”)
  • All writing is provisional (“we can learn to dispense with what we imagined was absolute truth and to pursue the reality of things only partially knowable”)
  • Writers are not authorities (“an authoritative position, anyway, is a prison both to us and to any audience”)
  • All writing by nature closes, we must work to attempt to keep it open (“Each utterance may deplete inventive possibilities if a speaker fails into arrogance, ignorance, or dogma. But each utterance, if the speaker having spoken, opens again, may also nurture and replenish the speaker’s invective world and enable him or her to reach out around the other”)
  • Writing should be both personal and thoughtful–not detached, objective, or positively referential (“we must rescue time by putting it into our discourses and holding it there, learning to speak and write not argumentative displays and presentations, but arguments full of the anecdotal, personal, and cultural reflections that will make us plain to all others, thoughtful histories and narratives that reveal us as we’re reaching for the others.”)

As I was reading Corder today, I couldn’t help but notice how much he shares with Levinas, especially in terms of fragmenting the stability of the subject-writer, of indebting the composition of the subject-writer to the author. Of thinking of writing other(than)wise.

I also find it interesting that, writing in 1987, Corder sees technology as speeding up time (he cites electronic mail as an example). I argue the opposite: that forums and especially wikis create a new lived experience of time. This new time somewhat (not completely) outs writing from time–frees us for contemplation and reflection.

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