ENG 201 8.M: Community Engagement Project

Today’s Plan:

  • Meet Our Client
  • Client Projects
  • Pending Questions
  • Homework

Meet Our Client

First, let’s get a sense of our client. This semester we will be working with the Holocaust Memorial Observances of Greeley and Northern Colorado. For my sanity, I will refer to them as HMOG.

To the website!

To Facebook!

Client Projects

Here is a link to my meeting notes from December where we laid out potential projects.

Pending Questions

I’ve sent out some questions to our client. Let me share those with you.

Homework

TBA

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ENG 328: Visualization Project

Today’s Plan:

  • Visualization Project
  • What Don’t I mean by Visualization
  • What I Think Maybe Possibly the Final Expectations Probably Won’t Be Unless They Are
  • Homework

Additional Visualization Resources

Visualization Project

Today I want to introduce a Visualization Project. At a general level, this project asks that you visualize some data. The exact nature of this visualization will change radically based on the kind of project you develop.

Previously, when I taught a Visual Rhetoric and Document Design course, I included an Infographic project. This is when infographics were new and shiny. I don’t think they are anymore. There are elements of infographics that are relative here–let’s look at some. Let’s look at some better ones. Finally, let’s look at a video infographic. Okay, maybe one more.

Why am I steering away from infographics? First, there’s a variety of free or almost-free software and apps out there that focus on infographs. Second, because I want this course to prepare you for the professional world, I’d like you to design something a bit more professional. Third, I want you to design this professional thing in Instagram. Fourth, I want you to pay some money and get this thing printed professionally (I’ll have more info on costs soon).

My inspiration for this project came as I was sitting in the waiting room of my Subaru Dealership. They had this thing on a few tables. I thought “hey, this would be a cool thing for people to make.” But here’s the thing–I want you to make a visualization of something you like. Something interesting. Something, perhaps, unexpected. This last criteria is especially problematic, because unless you are a particular kind of nerd (read: me) you probably don’t pay a lot of attention to visualizations. It is unlikely you are too familiar with all the different stuff that nerds visualize, and/or the ways in which they do it. So let’s take a look.

What Don’t I Mean By Visualization

Here are some visualizations that I have saved while navigating the web. Some are recent, some are not.

Maybe you want an easy assignment. Cool. Here is a link to government data. Take some data. Turn it into a 6-8 page presentation that echoes the Subaru presentation above.

That presentation should include at least on page of textual research and description, one graph, one chart, and one other kind of visualization.

What I Think Maybe Possibly the Final Expectations Probably Won’t Be Unless They Are

Here’s my struggle: I don’t want to get in the way of letting you do what you want to do. At the same time, I want to make sure that you do something challenging and valuable. Given all the variables here, it is hard for me to establish specific criteria.

This project will have stages. They are:

  • Research and Proposal Memo; Due March 20th. This memo will describe your visualization project for me. It will also contain all the research for your visualization (whether that is statistical data, outlines, collected images, etc). Your research should reflect at least 3-4 hours of work.
  • Mock-Ups; Due April 3rd (Google Slides Presentation). This presentation will share your design mock ups. These can be rough Photoshop or InDesign mock ups or simple pictures of crayon drawings. The idea is to show what you have developed between March 20th and April 3rd. The mock ups should reflect 2 hours of work.
  • Draft and Memo; Due April 16th (Canvas). You will submit the current state of your project to Canvas, along with a memo that details your progress. This should reflect 3 to 5 hours of work. This can also document technological fails (so long as you have files to prove it).
  • Final Project; Due Date TBD. The final project will be accompanied with a Project Postmortem.

I will ask that you keep an activity journal (sometimes called a work log) that tracks the hours you invest in the project. My expectation is that, start to finish, the project should take 13-15 hours, spread out over our remaining two months. Most of this work will be outside of class (in class we will be working on our two book layouts).

As we work on these projects, I will likely ask you to develop what you think is a suitable grading rubric. I will also ask you to assess your performance and grade yourself in the postmortem.

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ENG 225 7.F: Annotated Bibliography

Today’s Plan:

  • Roundabout: Discuss Readings
  • Annotated Bibliography
  • Homework: Read and Annotate an Article

Annotated Bibliography Assignment

We’ve spent the last week and a half exploring potential topics. Now it is time for you to select a particular topic and dig deeper.

For the next several weeks you will produce an annotated bibliography, or a collection of research writing that will provide the bulk of the content for your papers.

My expectation is that you will read 75 pages of research per week for the next several weeks. For each thing you read, you will write up an annotation. I have a sample format that you will be required to use for the annotated bibliography.

These should be peer-reviewed, academic sources. There are a number of ways to locate these sources. My go to is Google Scholar. Another source, obviously, is our library (click the scholarly and peer-review button).

The best way to find sources is to use an effective article you have already read. You can:

  • Use a source that is discussed in the article–think of the article’s Reference List as a map to other sources
  • Find the source in Google Scholar and use the “related articles” button
  • Use any listed keywords in the article as a foundation for searches

I have collected a bunch of articles as starting points for your research.

What is an Annotation? How Do I Write One?

I (morbidly) compare an annotation to a dissection. You want to cut the article into pieces and examine its various parts. Initially, your annotations should have at least five parts:

  1. Author(s)’ Purpose/Thesis: What does this article “claim” (in the precise academic sense of “what does this article argue/prove/demonstrate, etc). Find the thesis and put it in your own words
  2. Methods: This can be the tricky part, but your task here is to detail AS PAINFULLY AS FUCKING POSSIBLE what the authors did. Don’t just write”the authors had people play games and work collaboratively to see if games increased their aggression.” Write: “The authors recruited college students to play games for twenty minutes. Players were then teamed with non-players to work collaboratively on a puzzle task. The task consisted of assembling a 100 piece puzzle. The authors monitored sessions and tracked moments of interaction, using a Flitz-Keiber scale to recognize aggressive behavior. These sessions were video recorded, and the evaluations were confirmed by other researchers to ensure validity.”
  3. How does this compare to other material you’ve read?
  4. What useful articles and keywords does the article contain?
  5. What questions does this article raise for you?

As quickly as possible, you want to identify more specific questions that can replace #5. Let me show an example. Here is a collaborative annotated bibliography my ENG 319 Rhetorical Theory class put together last semester concerning course evaluations. Notice how we asked 5 questions of every reading:

  • Thesis / Purpose
  • Methods:
  • On the (non)existence/impact/nature of bias
  • On the nature of learning
  • On how individual faculty can combat bias / improve evaluations
  • On how institutions can combat bias / improve evaluations
  • Does this article mention Centra & Gaubatz?
  • What other studies are mentioned in the lit review?

Now, we couldn’t have generated those specific questions until we had already read a bunch of this research–we had to learn the commonplaces that people address in these particular conversations.

Homework

So that’s your first task. Read a piece of scholarship, preferably from my “approved” lists, and craft an annotation for it. Put this annotation in your Gaming Journal. Next Wednesday, I will have you revise it and put it somewhere else.

For those that want to get ahead–I will ask you to read another academic article Monday night for homework. We’ll go over strategies for reading academic articles on Monday.

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ENG 328 7.W: Data and Graphs

Today’s Plan:

  • Principles for Graphs
  • Data Sets
  • Google Sheets

Principles for Graphs

Adapted from Markel and Selber, Technical Communication 12th edition.

Ethical Concerns

  • If you did not create the graphic or generate the data, cite your source.
  • Include all relevant data. Do not delete or ignore data points that you cannot explain.
  • Begin the axes in your graphs at zero–or mark them clearly.

To these, let me add:

  • Unless absolutely necessary, do not change axes values between similar looking graphs
  • Use color to highlight, not distract
  • In every situation, self-consciously reflect on how your choices have potentially manipulated data
  • In every situation, ask if there’s a way to make this data more clear

Placing a Graphic in Your Text

  • Introduce the graphic in the body text BEFORE readers encounter it
  • Provide context for the graphic in the text. Explain where the data for the graphic originated.
  • Do not leave it to readers to decipher graphics. Dedicate a paragraph to explaining the graph and highlighting key findings. Write this paragraph as if a blind person is reading the report. The graph is there to augment comprehension, but should not be the sole medium communicating information
    • Sample description from Markel and Selber: As Figure 2 shows, a high-sulfur bituminous coal gasification plant is more expensive than either a low-sulfur bituminous or an anthracite plant, but more than half of its cost is for cleanup equipment. If these expenses could be eliminated, high-sulfur bituminous would be the least expensive of the three types of plants
  • Makes sure graphics have adequate captions and keys. Graphs should communicate meaning even if removed from a document

Data Sets

I’ve got two data sets for us to work with in class. We are going to create some simple graphs using Google Sheet’s internal engine.

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ENG 225 7.W: Research Avenues Con’t

Today’s Plan:

  • Gaming Survey (20 minutes)
  • Discuss Readings (20 minutes)
  • Homework: Games and Learning (10 Minutes!)

Gaming Survey

Let’s collect some data.

Readings

For today I asked to you read either of the Smith pieces.

Homework

I have a test for you.

Let’s look in the document.

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ENG 328 7.M: Visualizing Data and Information

Today’s Plan:

  • Intro to Data and Info Viz
  • Fun with Maps
  • Homework

Introduction to Information and Data Visualization

Today I want to take a break from technology and explore some of the rhetorical dimensions of information and data visualization–everything from making a graph to developing a creative or provocative visualization. You do not to be an expert in computer animation to make something visually engaging, impactful, affective, or persuasive.

So far we have explored simple “rules” (or expectations) for designing print documents. Layout, typography, color, etc. Looking through your menu designs, I am impressed by how quickly many of you have grasped these rules. These rules will obviously play into developing visualizations–but there’s a whole other set of expectations that surround the effective, and ethical presentation of data and research.

This week I want to talk about a range of different types of visualization, beginning with the most simple: charts and graphs.

As with our previous project, let’s start by looking at what not to do.

Resources:

This is a tool I want to show.

And pair that with this article.

Instead of talking about charts and graphs, I want to talk about maps.

Homework

I want you to skim through 4 or 5 of the NYT’s “What’s Going on in this Graph” series. Pick one graph to reimagine in Wednesday’s class. For that graph, create a table in google docs or google sheets of the necessary data.

We will work to visualize this data (create charts and graphs) in Wednesday’s class.

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ENG 201, 7.M: Let’s Talk File Names

Today’s Plan:

  • File Names
  • Group Work

File Names

Here’s a quick article.

Here’s a picture of what your essays look like when I download them:

A list of file names that pretty much all say ENG 201 report
A list of file names that pretty much all say ENG 201 report

Group Work

I want to meet with the document design team, then the grant writing team.

Here’s the collaborative workspace.

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ENG 328 6.W: From Sketch to (In)Design

Today’s Plan:

  • WSINYE, Layouts
  • Working in InDesign

WSINYE, Layouts

Things to highlight:

  • How Do I Start a Design? [Content, Cost]
  • Using a Graph as a Guide
  • Setting a Bleed (1/8th an inch past trim)
  • Column length for print publication? 2-5 inches. (From Wikipedia: “Traditional line length research, limited to print based text, resulted in a variety of results but generally for printed text it is widely accepted that line length fall between 45–75 characters per line (cpl), though the ideal is 66 cpl (including letters and spaces).”
  • Symmetrical vs Asymmetrical designs (risk / reward)
  • Focal Points (contrast, lines, color) / placement (see 52-53 on Golden Proportion and Rule of Thirds)
  • Modular Layouts and Sidebars
  • Cropping Photos

For a visualization:
This sentence of text contains 45 characters
This sentence of text contains slightly more characters, yup, 75!

Working in InDesign

Today we are going to start transforming our sketches into InDesign documents.

The first thing we need to do is to identify our paper size. This might be trickier than you think. Let’s consult a reference for paper size.

Make a new document and choose Letter Size. We need to change this to legal size. First, let’s change the units and increments in InDesign to inches. Go to Edit > Preferences > Units and Increments and select inches. Inside the document, let’s change the document height to match Legal-2 (standard legal size paper), so we’ve got 8.5 in X 14 in.

Now let’s work on a design that does not use a bleed (Friday we will work on a design that does use a bleed).

To make life easier, let’s

Let’s begin by creating a rather simple grid. We are going to create a 1/2 inch grid. This requires some math (if the width is 8.5 inches, then I need 17 1/2 inch squares; if the height is 14.inches, then I need 29 1/2 inch squares). Set the gutters to zero.

Now we are going to make sure we are printer safe by setting a modest margin. Go Layouts > Margins and set everything to .25 in.

Save this as “menu-template.” Now, using your sketch as a guide, begin creating frames for your content.

I’m going to start by working on the header. I’ll show how to use layers and place and modify text.

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ENG 225 6.W: Intellectual Wandering

Today’s Plan:

  • Intellectual Wandering
  • Research Hub

Intellectual Wandering

It is almost impossible to define what good writing is, but if I had to try, I would argue that good writing is “engaging.” It commands attention, draws a reader in. But into what? I would argue that it draws us into a conversation at the same time that it drags us across a map. A map of a conversation.

Here it might help to recall rhetorician Kenneth Burke’s famous parlor metaphor:

Imagine that you enter a parlor. You come late. When you arrive, others have long preceded you, and they are engaged in a heated discussion, a discussion too heated for them to pause and tell you exactly what it is about. In fact, the discussion had already begun long before any of them got there, so that no one present is qualified to retrace for you all the steps that had gone before. You listen for a while, until you decide that you have caught the tenor of the argument; then you put in your oar. Someone answers; you answer him; another comes to your defense; another aligns himself against you, to either the embarrassment or gratification of your opponent, depending upon the quality of your ally’s assistance. However, the discussion is interminable. The hour grows late, you must depart. And you do depart, with the discussion still vigorously in progress. (Philosophy of Literary Form, 110-11)

Here Burke isn’t necessarily describing what it means to write a paper–his aim is more ontological–that is, he is describing what it means to be a thoughtful human being trying to fit oneself into an ideology, a society, a world, that come pre-loaded with expected roles and notions (Burke would reject Emerson and Thoreau’s ideas that we can forge our own world as naive and childish, even if he appreciated the passion of their desire for independence). I digress. The point here is that writing comes from listening to a conversation. Mapping its participants. Tracking its twists. And then positioning oneself in the matrix. Engaging writing articulates one’s own attempt at engagement.

The problem with many writing classes, especially argumentative writing classes, is that they ask writers to articulate a research question (or even a thesis) before they have done sufficient listening. Before they have had an opportunity to wander around the territory. This is why I am going t have us spend the next two to three weeks “aimlessly” reading a wide variety of material on games and game studies. We want to explore as much territory as possible. My hope is that you will have a kind of eureka moment, one in which you recognize the potential markings of an “oar.”

I have begun compiling material in the research hub below.

Research Hub

Here is a link to the hub.

Homework

Read Moyer (2018) “Do Violent Video Games Trigger Aggression?”. Find one other article on video game violence and add it to the research hub (follow my format).

In your game journal, title this Video Games and Violence response. Let’s approach this as a two paragraph summary. In the first paragraph, summarize Moyer. This summary should highlight two things: what does Moyer conclude? (What does she argue, what is her purpose?).

In the second paragraph, respond to Moyer. Give me gut response here. It can often help to focus on a specific part of the article.

Finally, read whatever article and situate it alongside the Greenwood and Moyer.

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ENG 201 6.W: Proficiency Project

Today’s Plan:

  • Proficiency Project

Proficiency Project

Here is a link to our next two weeks.

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