ENG 229 1.M: Introduction

Today’s Plan:

  • Rule of Thirds
  • Share
  • Syllabus
  • Intro Video Assignment
  • Stockman
  • Homework

First Day Assignment: Rule of Thirds

I wanted to start class giving you a sense of what we’ll be doing. So, let me spend a few minutes introducing a basic photographic/cinematographic concept: the rule of thirds.

You can use a Google Drive account to upload photos from your phone and then download/link to them in Canvas.

I have a quick task for you: go outside and take two pictures of the same person or object, one that exemplifies the rule of thirds and one that defies it. You have 10 minutes to take two pictures and upload them to Canvas.

Syllabus

Let’s spend a few minutes reviewing the syllabus.

Homework: Intro Video Assignment

For your first night’s homework, I want you to shoot and edit a very short video of yourself. Introduce us to something you can do, or something you like, something that you feel makes you unique. This is meant as a low-stakes, diagnostic assignment. Teaching writing is always tricky, because you never know someone’s previous history with/relationship to writing. People come into a class with widely divergent experiences. I find this is even more so with video. My guess is at least a few people in the class are aspiring or experienced filmmakers and a few people in the class have never shot more than a few seconds of video (we can talk about the differences between film and video later). Some of you probably have experience multi-track editing in Audacity. That sentence probably makes some of you feel a bit panicked. Don’t panic. As I said in the syllabus, this course assumes no previous experience with video. I’ll walk us through every step of the process. But, before I do that, I want a sense of where to start. That’s what this mini-assignment if for.

Steve Stockman

Before you shoot your project, let’s spend a little time with Steve Stockman, author of How to Shoot Video that Doesn’t Suck. Stockman provides us with five basic principles for shooting video:

  • shots should be 10 seconds or less
  • Whites of their eyes (faces)
  • Light behind the camera, not behind the subject
  • Keep the camera still, don’t shoot and move
  • Keep your video short

If you are unsure what Stockman means by shots, maybe this will help.

Homework

Everyone will shoot and upload a video.

Expectations:

Tips:

  • If you have an iphone, then you can edit clips using the free Clips app
  • If you have an android phone, then you can edit clips using either FilmoraGo or Adobe Premiere Rush
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ENG 301 1.T: Welcome!

Today’s plan:

  • Notetaker
  • Syllabus
  • Brumberger and Lauer
  • What is “coding”?
  • A few job ads

What is due this week?

  • ABO Introductory Email
  • Reading response to Brumberger and Lauer
  • List of 10 jobs

Notetaker Opportunity

Hi all. Let me kill two proverbial birds with one email. (Extend a professional opportunity that also fills an ethical obligation, examine a piece of professional writing).

Essential Systems

Hi everyone, welcome to ENG 301. Let’s start by talking about the syllabus and identifying the tools/spaces you’ll need this semester. Here are the things/spaces you will need:

  • Syllabus
  • Gmail / Google Drive Account (I’ll be sharing a lot of documents via Google Drive, and will ask that you share documents with me)
  • Canvas Files and Discussions (most class readings will be available as .pdfs via Canvas)

Brumberger and Lauer on Jobs

Our first project is rooted Eva Brumberger and Claire Lauer’s article “The Evolution of Technical Communication: An Analysis of Industry Job Postings.” As we revise UNC’s writing minor, I have been curious as to what skills and technologies to focus on. This curiosity led me to research job advertisements for English majors, and Brumberger and Lauer stands as the most recent and comprehensive study I found. However, their article focuses on “technical communication.” This designation can have many meanings–sometimes it is merely a synonym for professional writing. But not in their case–they use (as do I) in the more precise sense of developing documentation (instruction manuals), product testing (usability reports), and working with scientific experts to communicate scientific/technical knowledge. Our department doesn’t have someone with those specializations–so as much as I appreciate their research, I wanted something a bit more relevant to a smaller department. Their research speaks more to folks at large research institutions with Professional and Technical Writing major, more specialized faculty, and software licenses such as MadCap Flare or Adobe RoboHelp. We are a much smaller department with 5 tenure-track faculty (and none of us, I think, would claim Professional or Technical writing as a core specialization). So my research question is: what skills, technologies, characteristics should we focus on to maximize your preparation for today’s job market?

In answering that question, I’ve turned my attention to Professional Writing jobs outside of technical writing. During my research, I came across a specialized job listing site–mediabistro.com. From their “About Us” page:

Mediabistro is the premier media job listings site and career destination for savvy media professionals. Whether you’re searching for new job opportunities, striving to advance your career, or looking to learn new skills and develop valuable expertise, we are here to strengthen and support your professional journey. We have the tools and resources to help you navigate your own path and find career happiness.

In addition to job postings, mediabistro.com offers resume services and courses on professionalization and personal brand building. Rather than turning to a more popular site like monster.com, I used mediabistro.com because it focuses specifically on jobs involving writing and communication.

I spent the month of June 2018 scanning every job ad posted to mediabistro.com. I filtered out jobs that:

  • Called for experience in television production (especially those that required years of on-air experience)
  • Called for extensive experience as a field journalist (although I retained jobs open to those without journalistic experience; a few jobs were looking for bloggers or content contributers)
  • Required degrees in finance or accounting
  • Required extensive experience with Google Ads and/or other Customer Relationship Management (CRM) softwares (Salesforce was particularly popular)
  • Required applicants bring a client log with them
  • Required management or hiring experience (the term management is quite slippery in adverts; sometimes it means “manage a team” and clearly indicates the need for leadership experience. Sometimes it means “manage our twitter account” and isn’t, per se, a leadership position)
  • Required backend coding skills
  • Required extensive graphic design portfolios (I did retain entry level graphic design jobs)
  • Required 5 or more years of experience
  • Telemarketing jobs, part-time jobs, or unpaid internships

After filtering out these jobs, I was left with a corpus of 375 jobs.

Over the next two weeks, you will code a total of 20 jobs from this corpus. I have selected 10 advertisements for us to code together; you will each select 10 other advertisements to create your own 20 ad corpus.

What is Coding?

In qualitative research, “coding” refers to a systematized method of tracking terms and ideas that appear across a large body (a corpus) of texts. Generally, researchers approach the corpus with a pre-determined list of ideas, which is reflexively revised and expanded as researchers begin to analyze it. I entered this research using B&L’s coding scheme, and along the way altered it so that it looks like this:

You can see that the scheme has 3 primary categories of codes: Tools and Technologies, Professional Competencies, and Personal Characteristics. Under those headings, there’s a number of different concepts. Each concept has a two or three letter abbreviation (its code).

I’d like to take sometime in class to practice coding a sample job ad.

What is Due this Week?

  • ABO Introductory Email
  • Reading response to Brumberger and Lauer
  • List of 10 jobs

ABO on Emails: A First Day Assignment

  • Turn in: Canvas discussion post ABO Introductory “Email”.
  • Due: Friday, August 28th

For your first assignment, I would like you to post an introductory “email,” following the rules for email found in the Alred, Brusaw, and Oliu Handbook of Technical Writing. This course involves a heavy amount of group work; the introductory email is a way to introduce yourself to the class. Normally, you would send the email to me (so I can check your ability to craft a meaningful subject line and format) and then we would collectively read all the emails as a class. Instead, I’ll ask you to post them here. I will also ask everyone to comment on at least two other people’s posts (try to find posts that don’t have any other comments). Consider this an opportunity to introduce yourself to your teammates.

The Canvas discussion prompt has more information. Read that *before* you write your email.

Reading Response to Brumberger and Lauer

  • Turn in: Canvas Discussion post Brumberger and Lauer, “The Evolution of Technical Communication: An Analysis of Industry Job Postings”
  • Due: Monday, August 31st

To prepare for project one, finish reading Brumberger and Lauer’s (2015) “The Evolution of Technical Communication: An Analysis of Industry Job Postings.” You can find a .pdf of the file in Canvas (Files section). I would like you to print out a physical copy of the article and annotate it as you read.

By annotate, I mean I would like you to write comments in the margins and on top of the page. There’s a lot of different methods for annotating, and I wouldn’t force any one method on you. I tend to underline text that either highlights the author’s purpose/argument or that I find difficult or disagree with. BUT every time I underline something, I try to write a word or phrase at the top of the page that captures the essence/importance of that passage. Underlining without writing isn’t useful. Writing notes in the margins helps with retention and comprehension. Throw away your highlighter.

After you read and annotate, please post a 150-250 word response to the article in Canvas. In the future, I might ask you to focus your response on a specific element of a reading. For our first reading, I want to know two things: what in the article surprises you? What else do you wish the authors elaborated?

Identify 10 job ads

  • Turn in: Canvas Discussion post Identify 10 jobs
  • Due: Monday, August 31st

The first stage of project one is for you to identify ten jobs for analysis.

To facilitate this, here is

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A Quick Thought on COVID and Teaching

Prompted by Aubrie Orr, a teacher and former student, asking what we expect from education during the crisis. My response follows.

I say all the time that education is not about transferring knowledge so much as it is cultivating a habitus, a way of navigating and acting in the world. Education seeks to develop citizens who are open-minded in all the best senses–people who can encounter the strange without stigma, who can welcome others into their world without the expectation of assimilation, who can explore new ideas aware of, but not overwhelmed by, their prior experiences and attachments.

Today I’m working on transferring my courses online for the rest of the semester. I am frustrated because it is very hard for me to model that ethical approach to research, learning, and writing online. Online works great for folks transmitting (written) products, but not so well for appreciating process–or, what is important to me–the attitudes from which we (as teachers, scholars, citizens) approach process. That phenomenological dimension, which is so important, I fear is lost.

I think this is even a bigger issue for younger students. My wife teachers 3rd grade, and beyond the issues with technological access and family support, she is struggling to recognize how she can ethically do her job without being with her kids.

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ENG 225 9.W: Annotations, Booth Activity

Today’s Plan:

  • Posting Annotations to the Blogger Site
  • Booth Research Question Activity
  • Homework: Research Synthesis

Posting Annotations to the Blogger Site

We started working in this blog last week.

If you were not here, you will need a gmail address (I’m pretty certain it will be private). Once we get started I can email you an invite to contribute to the blog.

I will give you 15 minutes to copy/paste and format your 4 posts to the blog.

Instructions for Posting

I imagine most of you will be copying and pasting from Google Docs into Blogger. Because of how Blogger mucks up its html, I want you to try and clean up your code as much as you can. So, when you copy and paste your annotation into Blogger, the first thing you should do is to select all your text (CTRL + A) and hit the plain text button. Then, reformat single spaces between paragraphs.

The most important element of this project concerns applying labels to an annotation before you publish. These labels (like hashtags) will make this usable and searchable. I plan on growing this site every time I teach 225, so we are laying the groundwork for a sustainable project.

So, what to do:

  • Entry title is: Author’s Name. Date. Title with Capitals [Santos. 2007. Saving Ourselves: Psychoanalysis and Silent Hill]
  • Open the post with the author(s)’s name(s) and turn them into a link (select the text and hit the link button, copy/paste the URL from the browser bar)
  • Apply Labels (left side of screen, scan existing, separate by commas),/li>

Booth Research Question Activity

This is a timed activity–I’ve got a quiz up in Canvas.

Homework: Research Synthesis

Between now and Monday, March 23rd, you have to do two things. One is easy, the other is hard.

  • Easy: A 5th research annotation
  • Hard: A research synthesis

The research synthesis should be about 300-400 words. What makes it hard is that there is no magic formula to write one of these. This is where a spark of thought ignites, and you are able to figure out how to map the five sources you have read into one conversation.

One *initial* strategy here might be compare and contrast. Pick the two sources that have the most in common. Articulate what they share. Now articulate how they differ. Does a third source align more with one of these differences?

Another strategy might be to highlight two sources that share a similar methodology but draw different conclusions.

Regardless of how you start–this research synthesis should have topic sentences that are driven by ideas, not sources. So far you have been writing about research articles atomistically, now you need to bring them together. So you want topic sentences that are idea driven:

  • Researchers have identified three central methods for promoting pro-social behavior online (Smith 2017, Smart 2018, Carson 2019). Smith advocates requiring players use unique gamer tags in social spaces, thus making it easier for moderators to monitor and regulate online behavior (Smith pp. 56-57). Smart and Carson advocate for …
  • A number of studies suggest a strong link between violent videogames and increased aggression (Strunk 2011, White 2013, Betts 2015)

Sicart Essay Revision

Sometime in the next few days, you can expect to get your Sicart essay back. You will have until April 10th to revise and resubmit the essay. IF you want to revise and resubmit, then I will ask you to come to office hours so that we can discuss the paper. These meetings should last between 10 and 15 minutes.

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ENG 328 9.M: Zine Project

Today’s Plan:

  • Zine Project
  • Setting Up Your Zine in InDesign
  • Wednesday: Porting Your Book Cover to InDesign
  • Friday: Bring a Print Copy of Your Zine to Class

Zine Project Expectations

Here is a refresh of the expectations I shared last week.

  • This will be an individual project
  • We will review projects in class on Friday the 13th
  • This will be a black and white design with no bleeds
  • This will be designed for 8 1/2″ by 11″ paper
  • This project has to include space for an Editor’s Introduction and organization (one page, text below)
  • This project will be exactly 22-24 pages long
  • This project needs to have at least one experimental page
  • You will print and bind one copy of your design

New thing:

  • Masthead: this can be positioned creatively; we have the name of the organization, names of editors (Zoe Bentham, Patrick Trujillo, ?), contributors, designer

Dummy text for the Editor’s Introduction:

Bacon ipsum dolor amet corned beef swine bresaola short ribs beef ribs. Short ribs prosciutto jowl, beef turkey ribeye meatball pork kielbasa brisket leberkas filet mignon cow tongue. Frankfurter capicola buffalo bacon sirloin, pork chop chicken pork loin prosciutto corned beef swine t-bone ribeye. Short loin pork beef ribs ham. Alcatra jerky boudin ham chuck. Pork cupim rump pork loin bacon landjaeger. Ham jerky tail sausage chislic cow pork belly ribeye pastrami tri-tip.

Bacon ipsum dolor amet chislic pork belly jowl tongue pig, drumstick rump turkey pork chop. Flank kielbasa cow pig, jowl rump pork belly boudin corned beef chicken ground round sausage pork chop. Filet mignon rump cow tail. Pork loin jowl pancetta short ribs ball tip tri-tip. Flank pork kielbasa picanha tenderloin drumstick short loin doner pork chop.

Here is a link to the project copy.

Setting Up Your Zine in InDesign

We are going to create a Booklet in InDesign. That link provides instructions for setting up our Layout View. It also contains a link for hot to print your document.
At some point, you’ll need to add page numbers to your footer (hint, it is like adding a special character). REMEMBER TO INSERT THE PAGE NUMBER IN YOUR MASTER, not on a page in the layout.

Homework / Rest of Week

On Wednesday I will show you how to import your Photoshop cover into InDesign. This should not be hard. The rest of class will be dedicated to completing your project.

On Friday, we will share and evaluate projects. It is important that you reflect on how other designers have approached this project. My plan is to have everyone bring a print copy of their design to class. We will take 90 seconds to evaluate each design. That should leave us about 20 minutes to commend designers.

A Note on Feedback and Grading

Those who know me from other contexts probably know that I am not a big fan of grading–of putting a numeric value on the quality of your work. There’s quite a bit of research on the pernicious side effects of grading–how it actually can impede learning. If we want to promote learning, then we should develop instructional environments in which feedback (which is an essential part of learning) is distanced from evaluation.

What does this mean for this project? It means that scoring the project is based on the following:

  • Does this project have a cover? 4 points
  • Does this project have a masthead? 2 points
  • Is this project 22-24 pages long? 2 points
  • Does this project have at least one “cool” page? 2 points
  • Does this project include at least 3 images in the body copy? 2 points
  • Did you bring a print copy to class on Friday, March 13th? 4 points
  • Did you turn in the .indd file to Canvas?
  • Do I think you spent 3 or more hours on this project (not counting the cover)? Does it feel like you cared about this project? 4 points

As you can see, if you just do all the things you are ensured a B- (but realistically a B or B+ since it is unlikely I would award you a 0 on the last criteria unless you really turn in a piece of garbage.

But I also want to emphasize that learning is tied to the formal reflection upon practice (so sayeth John Dewey). That is–it isn’t enough to practice (although all practice, implicitly at least, likely spurs growth). We learn most when we actively reflect on our practice. That’s where my feedback comes in. When I craft feedback on these projects, I will be considering:

  • Typography: choice of font. Does it develop a personality?
  • Layout: Line length. Font size. Alignment of page elements. Etc.
  • Images: Contrast. Placement. This is meant to be a black and white, no bleed design to save money (hypothetically for our organization, realistically for you, since you have to print and bind these things)
  • Speaking of binding
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ENG 328 8.W: Mocking Up Book Covers

Today’s Plan:

  • What Should We Be Thinking About?
  • Book Covers
  • Image Resources
  • Sketches / Mock Ups
  • Homework

What Should We Be Thinking About?

Page Layout
Katrina: author bios in Typehouse
Katrina: line length (what we don’t want to do)

Emma: Include an appropriate number of columns. Don’t overdo it to the point where you have, say, a 10 pt. font/have to shrink the font. Unless you have to fit everything into a certain number of pages, don’t use more than two or three columns; it’ll look like too much information is being crammed into one page. (Example)

Emma: Line-length. It helps to break a large amount of text up into columns so it feels less heavy. Metazine has a lot of text that takes up the whole page and it feels very unapproachable. On the other hand, “We Make Zines” breaks the text into columns, which makes it much easier to handle.

Trent: “Considering we are making a zine about a collection of poetry, an anthological design with a large heading and novel-like base text might be best.” The copy we have is a mix of poetry and prose: so we are going to have to think about/experiment with margins and padding–can this be something we repeat on every page? Can we shift the margins to accommodate prose copy? Etc.

White Space
This zine uses a lot of space. The amount of text wouldn’t take up more than a page if it weren’t for the graphics. This is something that children’s books will do a lot, where the story is just as much in the visual as the words. Everything is so spaced out and simple, and it does what it needs to do and does so very calmly. It creates a calming tone and easy readability. The inverse could be effective too; the more condensed text would create unease and tension. The way the pages are filled up can have a huge effect on tension and release.

Typography (style)
Maddie: handwriting

Kristie: Line-spacing. Keep line spacing consistent. In the Typehouse magazine, the first poem has less space between the lines than the rest of the print, which is very distracting

Joshua: “Maintain authorial integrity and — especially in poetry — maintain the same basic shape as how it is given to you. This is perhaps less fundamental in prosaic pieces, wherein the form matters less than the content, but it should be nonetheless duly considered. Just in case.” I think there’s an interesting question about how much license we have to play with poetic typography. Let’s talk EE Cummings.

Using Images
Maddie: balancing text and images
Katrina: small drawings
Trent: Zine’s photography is also interesting to note because it too depends on the content of the zine. For instance, in Hustler, a zine about rock and roll, the pictures are very energetic, busy and typically the background for the typography, but in the Bald Mouse zine the pictures seldom interact with the typography and are more calm/less distracting to the words yet still add a little bit of flavor to the overall design. It would be interesting how the tone of our magizines will shape and be shaped by the pictures we use. (An example of this being bad is the zine “Generation: Fuck You” which depicts its generational angst with standard 12 point arail font and a single bolded headings.)

Cam: Something important from this Zine is how the drawings interact with the text. The way the text is laid out creates a physical space for the figures, like an object the drawing could see if they were alive. There is a man leaning on a block of text on page 16 which emphasizes the physicality of the text. I don’t think elements have to interact as literally as these ones do, but keeping a cohesive space where the elements acknowledge the existence of others on the page is very important. (Looking at Bald Mouse)

Aesthetic Feel/Tone/Theme
Trent: It should also be questioned whether our zine should look bad. Most of these zines do look bad. They range in quality from parodying the 1990’s web page craze to full on professionally done magazines that I am still unconvinced weren’t actually regular magazines. There’s a camp quality to zines like All Out Monster Revolt which adds a particularly fun feel to the zine and it wouldn’t be that hard to included in our own zine.

Molly: homemade feel.

Austin:
The rock & roll zine I looked at does a lot with organizing the text in different ways with each page. This could be distracting if we use too much deviation, especially if we go with more color, but the way a text in a zine is laid out can be a work of art in itself.

Juniper:
Most of the designs that caught my eye were minimalist designs. Some others caught my eye because of just how absurd and flashy they were – That being said, many of the flashy ones worked well for this medium because of how homemade and personal they looked. […] Simplicity would be my biggest takeaway, the design of some zines that I found was very busy and distracting, I’m a fan of the minimalist styles.

Cam:
Keeping the interior is important as well. You don’t want a book that looks like a movie script, or some anecdote about dentistry the house no one likes always hands out on Halloween. There are a lot of ways to make the pages interesting, such as graphics, or color if available. Even using spacing cleverly or text size is a way to do so. (Good example, Bad example).

Book Covers

As we design book covers, we should be thinking about all the basic crap.

  • Contrast and Focal Point (although this is a black and white design, we still want to draw attention)
  • Alignment and/as Rule of Thirds (if you use a background image, think about how to crop it)
  • Typography (how to balance two fonts, how to create an intriguing yet readable title, etc)
  • Proximity / White Space / Margins and Padding (where do we put the title? Is it the focal point?)

Image Resources

I don’t imagine everyone will design a cover that uses an image–but some of you might. Even if your cover doesn’t use images, I would like to see images positioned inside your layout. Here’s where we can get images that can be used for free (although many of these require attributions–we can talk about how to handle that next week).

Homework

In Friday’s class we will design your book cover in Photoshop–make sure you have a final mock-up to digitize.

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ENG 225 8.W: Developing Keywords and Sharing Research on Blogger

Today’s Plan:

  • Do you have a gmail address? Do you want a new one?
  • Adding you to the blog
  • Last Semester’s Research Space
  • Developing keywords
  • Homework

What is this blog thing of which you speak?

This thing.

Last Semester’s Research Space

There’s likely some articles in here that might be useful to folks (especially on education and toxicity).

Here is another link to this semester’s research space.

Developing keywords

Let’s work in here.

Homework

By Monday you need to have completed 3 research annotations (by next Wednesday this will be 4 annotations). Keep the text of these in your gaming journal.

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ENG 201 8.W: Grant Research

Today’s Plan:

  • Grant Research
  • Group Work
  • Homework

Grant Research

In preparation for today you have identified an organization from the CRC database and grabbed some key information. Today we are going to share that information and expand our research.

I wanted to present some research I did yesterday with Carl McDonald, who is serving as an intern grant writer for Impact. Carl and I looked for potential funding for a new program called Hike, which takes homeless children hiking and provides them with new shoes and backpacks.

Carl identified two organizations:

Homework

One of the challenges of this particular project is tracking work hours. Many of you are working in collaborative situations and I want to ensure that everyone commits an equal (or, at least, almost equal) amount of time and energy. One way I do that is with a group dynamics postmortem at the close of the project.

But I don’t want to wait until the end of the project to ensure healthy collaboration. So let’s track contributions.

For Friday, here’s what I would like from every group:

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ENG 328 8.M: Literary Magazine Project

Today’s Plan:

  • Literary Magazine Project
  • Thinking about Book Covers and Genre
  • Type Some Text
  • Homework

Literary Magazine Project

Some vitals:

  • This will be an individual project
  • We will review projects in class on Friday the 13th
  • This will be a black and white design with no bleeds
  • This will be designed for 8 1/2″ by 11″ paper
  • This project has to include space for an Editor’s Introduction and organization (one page, text below)
  • This project will be exactly 22-24 pages long
  • This project needs to have at least one experimental page
  • You will print and bind one copy of your design

Here is the dummy text for the Editor’s Introduction:

Bacon ipsum dolor amet corned beef swine bresaola short ribs beef ribs. Short ribs prosciutto jowl, beef turkey ribeye meatball pork kielbasa brisket leberkas filet mignon cow tongue. Frankfurter capicola buffalo bacon sirloin, pork chop chicken pork loin prosciutto corned beef swine t-bone ribeye. Short loin pork beef ribs ham. Alcatra jerky boudin ham chuck. Pork cupim rump pork loin bacon landjaeger. Ham jerky tail sausage chislic cow pork belly ribeye pastrami tri-tip.

Bacon ipsum dolor amet chislic pork belly jowl tongue pig, drumstick rump turkey pork chop. Flank kielbasa cow pig, jowl rump pork belly boudin corned beef chicken ground round sausage pork chop. Filet mignon rump cow tail. Pork loin jowl pancetta short ribs ball tip tri-tip. Flank pork kielbasa picanha tenderloin drumstick short loin doner pork chop.

Thinking About Book Covers by Thinking About Genre (or vice versa)

Here is my stripped down design process:

  • Look at examples of what I need to make
  • Make a rough sketch
  • Yell at technology
  • Share
  • Revise

For this project, we have to design two different elements: a cover for a literary journal and a page layout for the journal.

Let’s get a jump on step one and look at some cover examples for inspiration. As we do this, we want to start keeping track of what we need to keep track of. Yes, that is a bad sentence. The goal here is to develop a sense of what decisions have
to be made, drawn from our purposeful examination of examples.

Let’s put some covers in here.

We Need a Plain Text File

We have some content that needs to go here.

Homework

In some ways, I think page layouts are more difficult than book covers. We need to think about the range of options available to us. For homework, I’d like you to look at a variety of different zine layouts and start thinking about your typographic layout. Here’s some literary magazines:

Here’s some zines:

For Wednesday, post to Canvas what kinds of things we need to think about as we design a print page. Let’s say three ideas, tied to three different sources. Feel free to conduct your own searches–don’t fell limited to my list here.

Focus on what looks good to you. Take note of what you don’t like. Your sensibilities matter here.

We’ll start Wednesday’s class reviewing your ideas.

Then I will give you time in class to sketch cover ideas (and I’ll share some image libraries for copyleft images).


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ENG 225 8.M: Reading an Academic Article

Strategies for Reading Academic Research

This week we pivot from writing articles on medium.com to planning and researching the academic research paper. I’ve already suggested some promising research to most of you. Now comes the challenging part–reading and digesting that material.

There’s a lot of jokes out there about the nature of academic research–why is it so difficult? Is this even English? Etc. Some of these chides are well-earned. But the thing to remember here is that academic vocabularies and styles develop over long periods of time. The more people study a particular problem, the more precise and deep meanings become.

Whatever your field, you will encounter these precise vocabularies. At first encounter, the prose can be daunting and appear almost impenetrable. My focus these next few weeks is to help acclimate you to academic discourse, to help you wade in to the kind of material that you will encounter over the next few years. Learning to read complex research in a short amount of time is a hard skill, but it is important to learn how to read it strategically. Likewise, it can be quite difficult to condense a 20-page article into a few paragraphs, and certainly the I have collected a few readings that should help us do this.

From these, we can synthesize a few general rules:

  • Pass One–see the framework–Begin by reading the abstract, introduction, and conclusion. Look at any tables, diagrams, and/or illustrations. Have an overall sense of the argument.
  • In or near the conclusion, look for where the writer(s) advocate(s) for us to do something differently; what does she perceive as the impact of this research?
  • Can you summarize the paper in a sentence or two in your own words?
  • Pass Two–
  • Highlight and annotate as you go. Look for keywords that indicate findings. Try to identify what problem the article hopes to address
  • Especially when working with research, make note of the methodology. Was it a survey? An experiment? Was it qualitative research (textual analysis), or more quantitative (measurement)? When working with scholarship, pay attention to the theorists or scholars the author uses to support her argument.
  • Pass Three–Can I answer all of the following questions?:
    • What are the central arguments in the article?
    • How did they collect their evidence?
    • What does their evidence say?
    • Why is the article important?
    • What recommendations do the authors make?
    • After reading this research, what recommendations can I make?
    • How does the article contribute to my field of study, my present research?
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