ENG 319 4.T: Isocrates and Civic Rhetoric

Today’s Plan:

  • Paper Questions
  • Isocrates Exercise
  • For Next Class

Paper Questions

From the syllabus: Our first project will ask you to synthesize the first 8 weeks of readings into a definition paper of 1800 to 2000 words.

From a previous class:

We are meeting in the computer lab today because I wanted to get a sense of how you are handling/processing the readings thus far. Your first major assignment calls for a conference length paper (8-10 pages double-spaced) that ties our readings together. In that paper I will ask you to group our readings to find relationships between them. Your paper will be tied to a central rhetorical term, idea, or question. For instance, you might construct a paper around the idea that rhetoric is merely pastry-baking. Or the idea that rhetoric is driven by ethos. Or the idea that it is driven by pathos. You might focus on how different rhetorical theorists approach or ignore the importance of location and time (context, kairos). You might trace how a theorist establishes her own ethos, and the ethos of the sources she uses. We’ll talk more about the papers later. But I want to plant a seed today.

Let me add something new: your goal in this paper is to simultaneously map a conversation taking place in ancient Greece while positioning yourself in that conversation all the while providing us with a definition of rhetoric and identifying some of its central elements, techniques, and concerns. Let me warn you 2000 words is not a lot of words. Be ready to draft, revise, and condense.

What else would you like to know? What do you think the paper should have to do or mention?

This is a thing I will show you.

Isocrates Exercise

I’d like you to work out of the questions in our reading space today. Collaboratively, let’s see if we can pin down responses to these questions, and tie them to specific passages in the readings.

Here’s our questions:

  • What is rhetoric? Or sophistry? Or oratory? or dialectic? How do we make sense of these terms? That is, how does the theorist in question define rhetoric?
  • What analogies for rhetoric does she offer?
  • Why/when should/must we study rhetoric?
  • How do we study rhetoric? Is there a curriculum, a pedagogy, a project/assignment? What does the study of rhetoric look like? Where does this study happen?
  • What constitutes rhetorical invention? From where do ideas come?
  • What are the core dimensions, terms, elements of rhetoric? If I were to give a vocabulary quiz, what terms from the reading would I need to include?

For Next Class

Readings:

  • Jarratt (focus on pages 35-39, her discussion of sophistry)
  • Corder, “Argument as Emergence, Rhetoric as Love”

For next Tuesday, we will be reading the Lanham essay (my personal favorite, already in Canvas) and two chapters from Bruno Latour’s Pandora’s Hope (I still need to .pdf these).

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ENG 201 3.R: Project One: Job Ad Analysis

Today’s Plan:

  • Job Ad Analysis Report
  • Creating a Graph in Excel
  • For Next Class

Job Ad Analysis Report

Our first major assignment will be due on Monday, September 23rd at midnight. This will be the Job Ad Analysis Report. Please bring your ABO book to class on next Tuesday, where we will identify the organization or the report.

The purpose of the report will be to tell me about what tools/technologies, professional competencies, and personal characteristics show up in the job category you have selected. Thus, everyone needs to have coded all 20 of their selected jobs by Monday, September 16th at 11:59pm. Turn your jobs into a hyperlinked Google Doc like this (you can create a copy of this document to use as a template) and submit it to the Canvas assignment “Google Doc List of 20 Job Ads.” MAKE SURE ANYONE WITH THE LINK CAN EDIT. In fact, let’s just do that right now.

In case you haven’t located your 20 jobs yet, here is a link to the job folder. You can click on the folder name and choose to search within the folder.

Graph in Excel

I will ask that your report include 3 meaningful graphs. We’ll talk a bit about what makes for a meaningful graph in Tuesday’s class.

Today, while we are in the lab, I wanted to give you the opportunity to teach yourself how to make a graph using Excel. The reason I’m asking you to teach yourself is that, as a professional writer, you are going to have to learn how to use a lot of different tools on your own. Whether it is a CMS interface, an invitation maker, an email marketing software, or a new presentation software, that’s often a large part of the gig. Today I’m here to help you if you get stuck.

The tutorial is how to make a graph in Google Sheets (note the Related Articles). Thinking ahead to your project, once we have collectively completed the Spreadsheet, then you will probably (nudge, nudge) want to create your own Google spreadsheet quantifying that qualitative data. That would look something like this [NOTE: these numbers are fake]. You can use those fake numbers to follow the Google Sheets tutorial.

For Next Class

You need to code your 20 jobs. You should have already done 12 jobs by today, so you have 8 more jobs to code this weekend. Once you have coded your jobs, you should synthesize and compile data into your own personal spread sheet. Simply make a copy of my sample spreadsheet from today.

Please bring a copy of your ABO book to class. We will crowdsource an assignment sheet for the report on Tuesday.

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ENG 319 R: Aristotle, Take 2

Today’s Plan:

  • Key passages in Books 2 and 3 (10 minutes)
  • Halloran article (15 minutes)
  • A (Fun?) Rhetorical Exercise (50 minutes)
  • For Next Class

A (Fun?) Rhetorical Exercise

A major claim of Gorgias (or at least one attributed to him) was the ability to spontaneously compose a speech on any subject. Likewise, he claimed the ability to argue equally as persuasive on either side of an issue. Let’s see if we can channel his spirit.

We will need topics for our debate.

Let us think of our Aristotle–what must we be sure to do?

For Next Class

We aren’t going to read Isocrates’ primary texts, but we are going to engage secondary theory about him. For Monday:

  • Sullivan, “Ethos of Epideictic Encounter”
  • Haskins, “Choosing between Isocrates and Aristotle”
  • Haskins, “”Mimesis” between Poetics and Rhetoric: Performance Culture and Civic Education in Plato,Isocrates, and Aristotle”
  • Benoit, “Isocrates and Plato on Rhetoric and Rhetorical Education”
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ENG 201 3.T: Herrick’s Overview of Rhetoric; Norming Job Ads

Today’s Plan:

  • Herrick’s Overview of Rhetoric
  • Norming Job Ads
  • For Next Class

Herrick’s Overview of Rhetoric

I enjoy this Herrick reading because I feel he gives a comprehensive introduction to Rhetoric as a discipline. Like Herrick, I am rather suspicious of folks who define rhetoric as persuasion–that definition is forced on rhetoric from a *logocentric* perspective that would limit its scope and influence. This is the kind of stuff we discuss in my 319 class.

Unfortunately, we have limited time to dig into this today (seriously, 30 minutes on the clock). I’d like to split into groups; each group will be responsible for compressing a section of the Herrick down into 3-5 sentence walk away.

  • Rhetoric and Persuasion (pg. 3-5). How does Herrick attempt to nudge our understanding of persuasion? Austin, Ryan, Makayla,
  • Rhetoric is Adapted to an Audience (pg. 8-10), Danielle W., Sophie M, William,
  • Rhetoric Reveals Human Motives and Rhetoric is Responsive (pg. 10-12), Patience, Colin,
  • Rhetoric Addresses Contingent Issues (pg. 15-16), Nichelle, Miranda, Sophia G,
  • Rhetoric Tests Ideas (pg. 16-17) Alexis, Lex, Joshua,
  • Rhetoric Assists Advocacy (pg. 17-19), Benjamin, Mikal, Sydney C,
  • Rhetoric Distributes Power (pg. 19-21)Sydney, Easton, Skylar,
  • Rhetoric Discovers Facts and Rhetoric Shapes Knowledge (pg. 21-22), Emma P, Lauren Hal, Jovana,
  • Rhetoric Builds Community (pg. 22-23) Mya, Chloe, Milena,
  • Conclusion (five themes of Herrick’s book–what are they? How can you frame each one in a single sentence?) (pg. 24–25).

Passages I would like to highlight: Why does studying rhetoric matter? (pg 6).

2 of Herrick’s 4 primary elements/dimensions of rhetoric:

  • Argument (claim, supported by reasons/evidence. Logos)
  • Appeals (ethos, an ethical appeal, who are we? Do I want to be this person? Pathos, how do I feel? How should I feel?

Norming Job Ads

In preparation for today’s class, I asked you to print and code the default jobs for your chosen track. Today I am going to ask you to get together with the other members in your group, review your codings, and input them into the spreadsheet.

I have made one change to the coding document: AP remains Adobe Premiere or videography. API is Adobe Photoshop or Image Editing. Once again, here is a link to the codes.

Here is a link to the spreadsheet.

And here is a link to the job folder.

Adding codes to the spreadsheet is a two part process. First, you should input the codes onto the file in drive. Let me show you another example. Basically, highlight the text that reflects the code and insert > comment.

After you have updated the file, you should input the codes in the file to the spreadsheet. Turn the title of the job into a link to the coded file. Remember to use the Share button to get the link.

For Next Class

We will be meeting in the Ross 2261 Computer Lab on Thursday.

Code and input 5 more jobs. You can put your codes directly into the file. Then add the codes to the spreadsheet. This weekend, I will go through the completed documents and check them for accuracy. Next week you will put together a report that focuses on what your analysis tells you. What have you learned about the job market from analyzing these adds? What codes are most common? Perhaps most unexpected?

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ENG 229 3.T: Watching Your Intro Videos

Today’s Plan:

  • Revisiting Adobe Premiere
  • Work List #2: How to…
  • Watching Your Videos
  • Let’s Take a Walk
  • For Next Class

Revisiting Adobe Premiere

Thanks to the six or seven people who swung by the library on Friday. What I learned from those conversations is that the easiest way to address the Premiere Files issue is to use flash drives. I recognize that not everyone has a flash drive that can store 10 GB+. In Thursday’s class we will partner up and tackle Lesson #5 in Premiere. If you can, copy the files from your CD (or the digital download) onto the flash drive before Thursday’s class. Bring your Adobe book to class on Thursday.

Work List #2: How to…

We will spend a lot of time in class today watching your videos. First, I want to lay out our second Work List project, due next Monday at 11:59pm. This one is a short instructional video. First, let’s walk through the top Google hit for “how to make an instructional video.”

Maybe we will have time to watch this. And it might be worth it to take a few seconds and watch this.

Let’s look at our list of criteria from Work List #1, with a change and a new addition:

  • Length: One minute to two minutes
  • Do shots adhere to the rule of thirds?
  • Shots should be less than 8 seconds?
  • Use a wide/establishing shot?
  • Does it use a medium shot?
  • Does it use a close-up?
  • Do shots balance color and form?
  • Is the camera still?
  • Does it appear the filmmaker has paid attention to lighting?
  • Does it use a voiceover for at least part of the video?

Let’s Take a Walk

This is not metaphorical.

For Next Class

Transfer your Adobe project files onto a flash drive. Write out the instructions for your instructional video (it should have at least 5 steps, probably no more than 10).

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ENG 319 3.T: Aristotle, Enthymeme, and Rhetoric

Today’s Plan:

Aristotle On Rhetoric, Book One

Questions:

  • 1.1.1-6: What is Rhetoric? Why Study it? What should we be wary of? See also 1.2.7.
  • 1.1.7-10: Aristotle’s suspicions regarding rhetoric and other handbooks
  • 1.1.11-13: Another perspective on why rhetoric is necessary. See also 1.2.12
  • 1.2.1: A response to the Gorgias dialogue
  • 1.2.4: What is ethos for Aristotle?
  • 1.2.5: What is pathos for Aristotle?

Key Terms and Concepts

Inartistic vs Artistic Proofs. Ethos, Pathos, Logos. 1.2.2. Let’s take a 10 minutes and do a thing.

Three species of rhetoric 1.3.1-4: Deliberative (exhortation vs dissuasion), Judicial (accusation vs defense), Epideictic (praise vs blame).

Judicial rhetoric judges the past.

Deliberative (or legislative) rhetoric judges the future.

On epideictic, Kennedy’s note on pg. 47. An individualistic philosophy has little desire/need for rites of communal renewal. For Aristotle, epideictic becomes a kind of catch all category for any speech that isn’t judicial or legislative. I believe that Aristotle’s impoverished notion of ethos suggests why he both misrepresents/undervalues epideictic rhetoric. The irony here is that Aristotle’s Poetics offers a fairly robust understanding of what Halloran and other rhetorical theorists identify as ethos and epideictic. We will get to this on Thursday.

What the Heck are the General/Special Topics (Or, What is Logos for Aristotle, Part 1)

Let’s examine the topic I included in the reading, on happiness (p. 56).

Professor David Russell has put up an adapted list of general topics that ground Aristotle’s approach to rhetorical invention.

Here is another explication and update.

We are going to circle back to these in a minute. But first…

Aristotle, Enthymeme, and Rhetoric (Or, What is Logos for Aristotle, Part 2)

I’m pretty confident that by the time I introduce this, we will have discussed Aristotle’s claim that rhetoric is the counterpart or converse of dialectic(al philosophy). The latter operates according to the syllogism, in which a series of premises allow for one–and only one–conclusion (supposedly). Aristotle asserts that because rhetoric is directed not at committed, individual interlocutors but rather at mass audiences of questionable interest and intelligence (see I.2.1357a), it operates according to the enthymeme rather than the syllogism.

Here is the stock example of a syllogism:

  • First/Major Premise: All humans are mortals
  • Minor Premise: Socrates is a human
  • Conclusion: Socrates is mortal

This is a simple syllogism. It contains 3 terms: humans, mortals, and Socrates. Reduced to an analytic formula, it reads:

  • P→Q
  • Q→R
  • P→R

If you were to go back through the Gorgias dialogue, you would see Socrates setting up major and minor premises that force Gorgias to agree to ridiculous conclusions–consider:

  • Major Premise: True arts bring something new into the world
  • Minor Premise: Rhetoric does not bring something into the world [Gorgias would not accept this]
  • Conclusion: Rhetoric is not a true art

Or:

  • MP: Expert knowledge is the most important part of persuasion
  • mP: Craftsmen have more expert knowledge than rhetoricians
  • C: Craftsmen are better at persuasion than rhetoricians.

Okay, so those are syllogisms. Enthymemes operate like syllogisms, but they are “truncated”–they don’t explicitly state every premise. For instance, the following syllogism is missing its Major Premise:

  • I have know Roger since he was a child
  • Roger is not a racist

Can you deduce what the premise must be?

Anytime I talk about rhetoric, ethos, and identifying a racist. Essentially, Jay Smooth is arguing for a logocentric approach to arguing that some*thing* is racist because it is to easy to deploy topical responses to an accusation that some*one* is racist.

I wanted to pay special attention to enthymemes because “memes” have become so prevalent in our social/political discourse. Aristotle dances around the idea that enthymemes are rooted in cultural norms–that they stem from doxa, or communal wisdom (generally accepted facts). Often, the missing foundational premise for an enthymeme is a value held by a particular community. This becomes apparent when we look through a series of memes. Before I click the link, I’d like you to number a piece of paper from 1 to 20. After each number, write agree / disagree and then one emotion, whichever one comes to mind.

Of course, visual memes aren’t always enthymemes (truncated syllogisms), they are often operating according to paradigm and are examples of poor inductive reasoning (see 40-42). But we can recognize how they are rooted in particular senses of community.

For Next Class

If you come across an interesting meme or add, add it to the slide (just add a new slide and paste the image in there, nothing fancy).

Read the other Aristotle .pdf. Next week we will meet in the computer lab. I’ll ask you to copy/paste your contributions to the Shared Reading Response Space into a Canvas quiz. I’ll be collecting responses on:

  • Ong, “Writing is a Technology…”
  • Plato, Gorgias
  • Cavarero or McComiskey
  • Aristotle, Reading #2 (Selections from Book Two and Three)
  • Bunch of essays from this weekend (I’ll assign the list Thursday, if you want to get started, read the Sullivan and the two Haskins essays)
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ENG 201 2.R: Coding

Today’s Plan:

  • Coding
  • Homework

Coding

Seriously. This is what we are doing today. More practice.

Resources:

Here’s copies of the default jobs with links:

Editor:

  1. Content Editor, Tylt
  2. Copy Editor, Culture Trip
  3. Health Editor, Wainscot
  4. Associate Editor, Infobase Holdings
  5. Writer/Editor, Columbia Law School
  6. Assistant Editor, Davler Media Group
  7. Associate Editor, South Carolina Living

Designer:

  1. Communications Associate, Wells College
  2. Digital Designer (Social Media), Creative Circle
  3. Multimedia Producer, ABC7
  4. Presentation Designer, Creative Circle
  5. Production Designer, Metro US

Social Media

  1. Community Manager, Tyit
  2. Media Analyst, Hairclub
  3. Research Assistant and Communications, Nuclear Policy Program
  4. Social Media Manager, Lovepop
  5. Social Media Specialist, Word Wildlife Fund
  6. Youtube Expert, Social Media Specialist, American Media

Marketing

  1. Associate Manager of Creative Marketing, PHR Audio
  2. Live Event Coordinator, E! Live Events/Entertainment
  3. Executive Assistant, Newsday Media Group
  4. Marketing Coordinator, Creative Circle
  5. Project Manager, Bloomberg
  6. Public Relations Associate, Humane Society
  7. Marketing Assistant, Meats by Linz

Sales

  1. Account Coordinator for Wine PR Firm, Jarvis Communications
  2. Ad Sales Account Executive, Cannabis Now
  3. Brand Assistant, Penguin Young Readers
  4. Communication Strategist, Earth Justice
  5. Digital Strategist, Cox Automotive
  6. Diversity and Inclusion Director, NBC News
  7. Publishing Sales Rep, WW Norton Company

Writer

  1. Buyer’s Guide/Technology Writer, Mark Waring Ventures
  2. Food Writer/Reporter, Eat This, Not That
  3. Science Writer, IAVI
  4. Web Producer/Content Manager, National Review
  5. Writer, Global Citizen
  6. Writer, NY Government Agency
  7. Writer / Marketing Communications Rock Star, Intellysis

Homework

Read and respond in the Canvas discussion forum to the Herrick “Overview of Rhetoric.” You can find a .pdf of the Herrick in our course files.

In your reading response, I am interested in two things. My first interest comes from one of his response questions–given rhetoric’s dominant position in classical education and its largely diminished position in modern (1650-1950) education, I am curious as to its status in *your* education. What has been your exposure to the art and strategies Herrick describes? To *methods* of argument, appeals, arrangement, and aesthetics?

Second thing. I want you to pull out two sentences (or short passages) from the reading that grab your attention–one from pages 1-16 and the other from pages 16-25. Write a few sentences that indicate why these sentences stick out to you. We’ll start Tuesday’s review of Herrick by examining and discussing your selections. 

I would like you to print copies of the “default” jobs on your list (see above). Code these jobs. Underline text and use the acronyms from our coding scheme. In Tuesday’s class, I will reserve 30 minutes for you to meet with your peers and compare codes. We will then work on putting those codes into the spreadsheet AND the google docs.

Again: for Tuesday, print copies of your default codes and code them as we did in class today.

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ENG 319 2.R: Cavarero and McComiskey

Today’s Plan:

  • Cavarero (30 minutes)
  • McComiskey (15 minutes)
  • Free Write Time (10 minutes)
  • For Next Class (10 minutes)

Cavarero

I’d like to try something. What is a question that you think I should ask you about Cavarero?

  • What type of rhetoric most strongly persuaded you of Cavarero’s view of Penelope’s defiance of feminine symbolism?
  • What rhetorical techniques amplify Cavarero’s argument that ?
  • How does Penelope’s act of rebellion reinforce Cavarero’s definition of the feminine/
  • According to Cavarero, is Penelope a sophist? Would she be according to Plato?
  • How does the inclusion of women into the philosophical world help us understand rhetorical theory?

McComiskey

First, let’s take a second and explore a really complicated term. Logos. Okay, a few questions on McComiskey’s argument:

  • What is a relativistic epistemology? (p. 18)
  • How does McComiskey frame Gorgias’ rhetorical methodology? (p. 18)
  • How might Plato respond to McComiskey’s characterization of ambiguous laws? (p. 20)
  • Key paragraph on oligarchy vs democracy, key term: nomos, nomoi (p. 20, p. 28)
  • Gorgias and kairos (p. 22)
  • What if there is no spoon? (p. 24)

Finally, let’s look at a few pages from McComiskey’s second chapter:

  • Pg 32: three purposes to Gorgias’ rhetoric.
  • Pg 33: what does McComiskey identify as Plato’s primary gripe about rhetoric in the Phaedrus?>
  • Pg 33: Aristotle’s (sophistic?) defense of rhetoric
  • Pg 34: What does Gorgias see as a problem with logos?

Free Write

We are meeting in the computer lab today because I wanted to get a sense of how you are handling/processing the readings thus far. Your first major assignment calls for a conference length paper (8-10 pages double-spaced) that ties our readings together. In that paper I will ask you to group our readings to find relationships between them. Your paper will be tied to a central rhetorical term, idea, or question. For instance, you might construct a paper around the idea that rhetoric is merely pastry-baking. Or the idea that rhetoric is driven by ethos. Or the idea that it is driven by pathos. You might focus on how different rhetorical theorists approach or ignore the importance of location and time (context, kairos). You might trace how a theorist establishes her own ethos, and the ethos of the sources she uses. We’ll talk more about the papers later. But I want to plant a seed today.

And I want to give you an opportunity to build/synthesize some of the writing you have been doing in the shared reading space. To be honest, I haven’t been spending enough time in that space. And, because you are a large group, I don’t have a sense of how everyone is handling the reading. So, a quick free write. Pick one of the following questions and run with it. Just write. Don’t worry about mechanics. Don’t worry about transitions. If you don’t like where an idea is heading, just write something like “Wait. No. Let my try that from another angle.”

  • Question #1: Traditionally, we translate the Greek term metis as both wisdom and cunning. The God for which metis is named is Metis (duh); note how Wikipedia’s short article on Metis cites Odysseus as its best representation. The article cites Brown’s (1952) claim that “Metis was both a threat to Zeus and an indispensable aid.”

    Cavarero isn’t directly addressing rhetoric in her text, but how might we see her deployment of Metis/metis (pp. 13, 18-19) as a response to Socrates’ critique of rhetoric? Is it a response?

  • Question #2: Cavarero makes note of the centrality of death in Greek philosophy (p. 20), noting that from Plato’s perspective “those who lament the fact of death, which is the definitive untying of the soul from the body, are bad philosophers” (pp. 23). Because the body is bad, because its wants and desires cause us hunger and pain, we should look forward to the day when we are free of it. How does Cavarero respond to this premise? How might that response speak to a defense of rhetoric (especially when one highlights that for Plato’s theory of forms we do not *invent* new knowledge but merely “remember,” “rediscover,” existing knowledge).
  • Question #3: Lost into the void. Something about how does Plato’s presentation of Callicles compare to McComiskey’s presentation of Gorgias and sophistic rhetoric? To what extent does Callicles resemble McComiskey’s idyllic (though not Ideal) democratic agent? To what extent does Callicles anticipate and offer a critique of McComiskey’s arguments?

For Next Class

Read Aristotle’s On Rhetoric, pdf #1.

Note that we will be reading pdf #2 for Thursday.

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ENG 201 2.T: Norming Job Ads

Today’s Plan:

  • Computer Lab Days
  • Discuss Miller
  • Job Ad Materials
  • Homework

Computer Lab Days

I will do my best to remind us of these dates. These are the dates that we will be meeting in the Ross 2261 computer lab.

  • Thursday, September 12th
  • Thursday, October 3rd
  • Thursday, November 7th
  • Thursday, November 21st

Miller, “A Humanistic Rationale for Technical Writing,” 1979

Some questions:

  • What is positivism? Why is it a problem for technical writing? What does Miller identify as the most problematic dimension of a non-rhetorical approach to scientific communication?
  • Miller identifies 4 problems for technical writing pedagogy that stem from the positivist tradition. How do we avoid them?
  • How does Miller–writing in 1979–describe the epistemology that is replacing positivism?
  • What does it mean to teach technical writing from a communalist perspective? Why might some students reject a communalist approach to teaching writing?

I assert that Miller’s grounds for labeling technical writing a Humanity lies in what she identifies as a consensualist relation to audience. [Why do I think this? What does this mean?]

Job Analysis Materials

Here is a link to the coding scheme.

Here is a link to our shared coding document.

Here is a temporary link to the collection of jobs. I will be sending out a new link tomorrow afternoon.

Required Job Lists

I have developed four different lists. The first focuses on ads for an Editor. The second focuses on ads for a designer. The third on Social Media. The fourth on Business/Sales. The fifth on writers.

Editor:

  1. Content Editor, Tylt
  2. Copy Editor, Culture Trip
  3. Health Editor, Wainscot
  4. Associate Editor, Infobase Holdings
  5. Writer/Editor, Columbia Law School
  6. Assistant Editor, Davler Media Group
  7. Associate Editor, South Carolina Living

Designer:

  1. Communications Associate, Wells College
  2. Digital Designer (Social Media), Creative Circle
  3. Multimedia Producer, ABC7
  4. Presentation Designer, Creative Circle
  5. Production Designer, Metro US

Social Media

  1. Community Manager, Tyit
  2. Media Analyst, Hairclub
  3. Research Assistant and Communications, Nuclear Policy Program
  4. Social Media Manager, Lovepop
  5. Social Media Specialist, Word Wildlife Fund
  6. Youtube Expert, Social Media Specialist, American Media
  7. Writer/Web Content Producer, Fordham Law School

Marketing

  1. Associate Manager of Creative Marketing, PHR Audio
  2. Coordinator, E! Live Events/Entertainment
  3. Executive Assistant, Newsday Media Group
  4. Marketing Coordinator, Creative Circle
  5. Project Manager, Bloomberg
  6. Public Relations Associate, Humane Society
  7. Marketing Assistant, Meats by Linz

Sales

  1. Account Coordinator for Wine PR Firm, Jarvis Communications
  2. Ad Sales Account Executive, Cannabis Now
  3. Brand Assistant, Penguin Young Readers
  4. Communication Strategist, Earth Justice
  5. Digital Strategist, Cox Automotive
  6. Diversity and Inclusion Director, NBC News
  7. Publishing Sales Rep, WW Norton Company

Writer

  1. Buyer’s Guide/Technology Writer, Mark Waring Ventures
  2. Food Writer/Reporter, Eat This, Not That
  3. Science Writer, IAVI
  4. Web Producer/Content Manager, National Review
  5. Writer, Global Citizen
  6. Writer, NY Government Agency
  7. Writer / Marketing Communications Rock Star, Intellysis

Homework

Select on of the categories above. Add them to the list of 10 you generated for today’s class (feel free to revise your original list). Select more jobs until you have a total of 20.

Input your 20 jobs, alphabetically, into the shared coding document, following what I did in class. Make sure you categorize your job as one of the categories above (writer, editor, designer, social media, marketing, sales). If someone has already added your job, then *do not* add it again. If you disagree with someone’s categorization, then write both categorizations into the cell.

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ENG 229 2.T: Schroeppel on Composition

Today’s plan:

  • Review Work List #1
  • Schroeppel Activity
  • For Next Class

Work List #1: Intro Video Assignment

Our first worklist project serves as a vehicle for learning Adobe Premiere’s fundamental functions. I’d like you to show us something you can do. This video will be due Monday, September 9th at midnight.

We will work out the exact requirements for this video after we have read the two Schroeppel chapters.

I want to present a relay for inspiration. Think of this video as introducing yourself as if you were a character in a movie. Be creative in your shots and sequences. This is meant as a “relay,” an inventive technique that asks you to invent something while thinking about something else. It isn’t necessarily a direct imitation, more like a spirit of innovation, what I and others have written about as “choric” invention.

Pinsky on inspiration.

Schroeppel Reading

First, let’s review the criteria from Stockwell thatI shared on the first day of class:

  • Rule of thirds
  • shots should be 10 seconds or less
  • Whites of their eyes (faces)
  • Light behind the camera, not behind the subject
  • Keep the camera still, don’t shoot and move

Let’s quickly review what Schroeppel’s chapter on Composition adds:

  • Balance / Leading Looks / Head Room / Lead Room
  • Balance / Masses
  • Balance / Colors, Brightness
  • Angles / Depth and Value
  • Framing
  • Leading Lines
  • Backgrounds

This stuff can be harder than it seems.

Schroeppel Activity

Working in pairs, I would like you to go out and take 7 photographs that illustrate these principles in action. Assemble them into a quick Google Slides presentation (just do blank slides and set these images as the background). Put a shareable link in the Canvas discussion.

When you get back, make a copy of this presentation template (MAKE. A. COPY). Put in your photos (either share the Google Slides with you partner’s gmail address or send her your photos). Submit it as a group to Canvas.

For Next Class

Read Schroeppel Chapter 3, basic sequence.

Bring your Adobe Premiere Book to class–we will do the lesson #5 together in class on Thursday.

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