ENG 319 2.T: Plato, Rhetoric, and Pastry Baking

Today’s Plan:

  • Opening Activity
  • The Other Opening Activity
  • Discuss Plato
  • Homework: McComiskey

Opening Activity (10 minutes)

Let’s watch S. Peter Davis’ Three Minute Philosophy video on Plato.

After the video, I’d like you to briefly write on a connection/contradiction you identify between the video and our reading.

I might want to watch this too.

The Other Opening Activity

8 groups of 3. Below I cite a single line and a place in the text. Work together, give us a short synopsis of what is going on in that moment (look at what comes before and after in the dialogue) and how it helps us answer our Reading Space questions. Also, what is Plato’s angle at that point in the text? What’s the subtext?

Passages to examine:

  1. 456 d, Gorgias: “One should, however, use oratory like any other competitive skill, Socrates” (hint, look at 457c)
  2. 459c, Socrates: “Oratory doesn’t need to have any knowledge of the state of their subject matters” (hint: look at 459e)
  3. 463a, Socrates: “But what I call oratory is a part of some business that isn’t admirable at all” (hint, look at 464d, too)
  4. 481d-e, Socrates: “I notice in each case you’re unable to contradict your beloved, clever though you are, no matter what he says or what he claims is so” (Put 482c in conversation with Socrates’ argument to Polus at 474a)
  5. 482e-483, Callicles: “Although you claim to be pursuing truth, you’re in fact bringing the discussion around to the sort of crowd-pleasing vulgarities that are admirable only by law and not by nature” (this is a tricky argument, Callicles’ critique of Socrates’ style; perhaps compare to 484d?)
  6. 483d, Callicles: “But I believe that nature itself reveals that it’s a just thing for the better and more capable man to have a greater share the the worse and less capable man” (see also 492a-b)
  7. 491b, Callicles: “…by the ones who are the superior I don’t mean cobblers or cooks, but those who are intelligent about the affairs of the city, about the way its to be well managed”
  8. 504d, Socrates: “And the name for the states of organization and order of the soul is “lawful” and “law,” which lead people to become law-abiding and orderly, and these are justice and self-control” [often translated as “regulation”]

Other passages: 452e, Gorgias’ definition of oratory. Socrates’ and Polus, 480c, 481b.

On Plato’s elitism: 511d-512b. 513b!

Discuss Plato

The grid.

Something I wrote in 2015.

Homework

Read Cavarero 11-30 and McComiskey 17-31. I will set up a Reading Space for each reading (please do one entry/response for each). Note: I think the Cavarero is accessible, though perhaps more sophisticated than it initially seems. She is also doing something strategic with her style.

Thursday we will be meeting in the Ross 1240 Computer Lab.

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ENG 201 1.R: Questions / Brumberger and Lauer / Job Ads

Today’s Plan:

  • The Crucible/Write For Market
  • Your Questions
  • Brumberger and Lauer
  • Job Ads
  • Homework

The Crucible and Write for Market

UNC has its own literary magazine, The Crucible. They meet every Monday at 5:00 in Ross 1155.

UNC has a group dedicated to publishing. They meet every Thursday at 6:00 in Ross 1155.

Your Questions

Just about everyone passed in a memo. I wrote down most of the questions (sorry if I missed yours). Here we go.

Brumberger and Lauer

What caught your attention?

Job Ads

Sharing mediabistro.com Job Corpus

Your first project this semester dovetails with a current research project I have been working on. As we revise UNC’s writing minor, I have been curious as to what skills and technologies to focus on. This curiosity led me to research job advertisements for English majors, and Brumberger and Lauer stands as the most recent and comprehensive study I found. However, their article focuses on “technical communication.” This designation can have many meanings–sometimes it is merely a synonym for professional writing. But not in their case–they use (as do I) in the more precise sense of developing documentation (instruction manuals), product testing (usability reports), and working with scientific experts to communicate scientific/technical knowledge. Our department doesn’t have someone with those specializations–so as much as I appreciate their research, I wanted something a bit more relevant to a smaller department. Their research speaks more to folks at large research institutions with Professional and Technical Writing major, more specialized faculty, and software licenses such as MadCap Flare or Adobe RoboHelp. We are a much smaller department with 5 tenure-track faculty (and none of us, I think, would claim Professional or Technical writing as a core specialization).

So I’ve turned my attention to Professional Writing jobs outside of technical writing. During my research, I came across a specialized job listing site–mediabistro.com. From their “About Us” page:

Mediabistro is the premier media job listings site and career destination for savvy media professionals. Whether you’re searching for new job opportunities, striving to advance your career, or looking to learn new skills and develop valuable expertise, we are here to strengthen and support your professional journey. We have the tools and resources to help you navigate your own path and find career happiness.

In addition to job postings, mediabistro.com offers resume services and courses on professionalization and personal brand building. Rather than turning to a more popular site like monster.com, I used mediabistro.com because it focuses specifically on jobs involving writing and communication.

I spent the month of June 2018 scanning every job ad posted to mediabistro.com. I filtered out jobs that:

  • Called for experience in television production (especially those that required years of on-air experience)
  • Called for extensive experience as a field journalist (although I retained jobs open to those without journalistic experience; a few jobs were looking for bloggers or content contributers)
  • Required degrees in finance or accounting
  • Required extensive experience with Google Ads and/or other Customer Relationship Management (CRM) softwares (Salesforce was particularly popular)
  • Required applicants bring a client log with them
  • Required management or hiring experience (the term management is quite slippery in adverts; sometimes it means “manage a team” and clearly indicates the need for leadership experience. Sometimes it means “manage our twitter account” and isn’t, per se, a leadership position)
  • Required backend coding skills
  • Required extensive graphic design portfolios (I did retain entry level graphic design jobs)
  • Required 5 or more years of experience
  • Telemarketing jobs, part-time jobs, or unpaid internships

After filtering out these jobs, I was left with a corpus of 375 jobs.

Over the next two weeks, you will code a total of 20 jobs from this corpus. I have selected 10 advertisements for us to code together; you will each select 10 other advertisements to create your own 20 ad corpus.

Coding Jobs

What is coding?

Here is a link to our collaborative workspace, in which we will input our codes.

Homework

Identify 10 jobs from the corpus that you would like to analyze for class. Add those job titles to the workspace, following the example I used in class today. Make sure you alphabetize entries as you add them (right-click, add row above/below).

DO NOT CODE THESE JOBS YET. We need to do more norming work first.

Here is a link to the coding scheme.

Read: Carolyn Miller, “A Humanistic Rationale for Technical Communication”

Miller’s essay, published in 1979, speaks to the ways in which writing (and not just technical writing) gets intellectually devalued. Underwriting this devaluing is a positivist epistemology (epistemology is the study of knowledge). In a positivist epistemology, humans can, through various systems, arrive at objective, transcendent Truth. This can be a scientific truth (the earth is round) or a humanistic one (the meaning of Romeo and Juliet). Writing courses aren’t epistemic, they merely provide you with the skills to communicate the truths you discover using other epistemic methods/disciplines.

In your reading response, I’d like you to do two things. First, try and summarize how Miller counters this argument. What is her argument against positivism? What does it require we do/think differently?

Second, think about your own experiences as a student at UNC. To what extent does your education reflect the positivist tradition? Particularly with writing? Is writing framed in a positivist manner as objective and impersonal? Do texts have one single correct meaning? A range of meanings? Is the meaning of a text completely open to a reader?

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ENG 229 1.R: Intro Video Assignment, Adobe Premiere

Today’s Plan:

  • Watch Intro Videos
  • Work List #1: Intro Videos Take 2
  • Some Basics in Adobe Premiere
  • Homework

Watch Intro Videos

Let’s take a look at some of the contributions!

As we watch, let’s remember compositional elements I introduced last class:

  • Rule of thirds and basic shot composition
  • shots should be 10 seconds or less
  • Whites of their eyes (faces)
  • Light behind the camera, not behind the subject
  • Keep the camera still, don’t shoot and move

Work List #1: Intro Video Assignment

Our first worklist project serves as a vehicle for learning Adobe Premiere’s fundamental functions. I’d like you to show us something you can do. This video will be due Monday, September 9th at midnight.

We will work out the exact requirements for this video after we have read the two Schroeppel chapters.

I want to present a relay for inspiration. Think of this video as introducing yourself as if you were a character in a movie. Be creative in your shots and sequences. This is meant as a “relay,” an inventive technique that asks you to invent something while thinking about something else. It isn’t necessarily a direct imitation, more like a spirit of innovation, what I and others have written about as “choric” invention.

Pinsky on inspiration.

Adobe Premiere

Forthcoming.

Homework

Spend five minutes writing about your idea for Intro Video Assignment.

Read Schroeppel.

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ENG 319 1.R: Ong on Writing as a Technology

Today’s Plan:

  • Check the Shared Reading Space (25 minutes)
  • A Quick Introduction to Something Like Poststructuralism (40 minutes)
  • Reading Plato’s Gorgias (20 minutes)
  • Homework

A Quick Introduction to Something Like Poststructuralism

I want to open by highlighting a few sentences from Ong:

For the real word “nevertheless,” the sounded word, cannot ever be present all at once, as written words deceptively seem to be […] A word is an event, a happening, not a thing, as letters make it appear to be. […] The oral world as such distresses literates because sound is evanescent. Typically, literates want words and thoughts pinned own–though it is impossible to “pin down” an event. (p. 20)

Later in the essay, Ong note how writing “separates interpretation from data,” how writing distances the speaker and the hearer, and how writing “enforces a verbal precision.” I’d like to open our course exploring these ideas, illustrating both how writing helped to develop increase precision and a desire for certainty.

First, let’s try a quick exercise to flush out one of Ong’s ideas–that writing helps develop precision. In rhetorical terms, writing expands logos. When we read Aristotle, we will learn that logos essentially translates to something like “idea, reason, evidence” and comes in two forms–hard evidence (stats, facts) and invented arguments (reasons). This can be a tricky distinction that breaks down rather quickly–but that is an activity for another day. Today, we are working on precision. Exercise #1: Words and words. Follow up: tree falls in a wood and no one is there to hear it? No one is there to see it? What *is* our *fundamental* sense?

Okay, on to the trickster stuff. Let me begin by paraphrasing the work of philosopher Jacques Derrida, whose names is fairly synonymous with “deconstruction.” For Derrida, deconstruction isn’t a “methodology” but rather a way of being, a way of life, a way of inhabiting and traversing the world. It is, then, a “philosophy” in its most ancient sense. I’ll say more about this later. I want to open with a cursory overview of Derrida’s Of Grammatology. Derrida argues that philosophy preferences speaking and has a distaste for writing because it believes the former has an immediacy, a kind of truthfulness, that the latter does not (recall Ong’s reading of Plato’s critique of writing). Derrida deconstructs this premise, building off the work of Saussure, to show how both speech and writing share a system of signification that isn’t immediate or assured, but rather plagued by what he terms “differance.” He uses the “a” to mark this otherwise “silent” difference (in French difference and differance would be pronounced the exact same way). Exercise #2: A Cat Came Through My Window. Implications of differance, of language’s reliance on interpretation.

There’s one other major component of Derridean deconstruction. I don’t want to say too much. Let’s do another Exercise.

A final note on deconstruction: origins, foundations, essences, first principles. See stock lecture on “administration.”

Introduction to Plato

Below is an introduction to Plato that I wrote for students before reading his “Apology.” I believe it will be useful here, too.

Introduction to Plato

The philosopher Alfred North Whitehead once wrote that all Western intellectual history is merely a footnote to Plato, an ancient Greek thinker believed to have lived from 428-347 BC is often credited with the “birth of philosophy.” Plato was one of the first philosophers to practice writing (and he was quite prolific), and scholars such as Walter Ong have traced how Plato’s concepts of Ideal forms was influenced by the technics of print writing (the real world is to the word/signifier as the Ideal Form is to its meaning/signified). But to understand the impact and importance of Plato’s thought, it is a bit necessary to understand the intellectual context in which he was thinking and writing.

Ancient Athens was an interesting political experiment: it was one of the first democracies (although we should use that word cautiously, since only rich male land owners were allowed to speak and vote), in which political and legal decisions were made via oral deliberations in an open (again, sort of) agora. Due to this political and legal structure, teachers taught forms of speech craft and delivery, these teachers were called sophists.

Plato was skeptical of the sophists, since they claimed to teach people righteousness but instead only taught them manipulation. In his famous Gorgias dialogue, Plato’s Socrates likened sophists to pastry bakers, while true philosophers, he believed, were doctors. The one gave you merely what you want (to eat / to hear), the other what you needed to be healthy (and it might not taste good!). We can recognize at least one truth to Whitehead’s quip: to this day we tend to refer to the sophists and their art by the name that Plato gave it: rhetoric. Mere, empty rhetoric (which is always in opposition to truth). And we retain a sharp division between truth and persuasion.

We can get a better sense of what is going on here by examining the complex history of the Greek term logos. The term originally meant “word” or “speech.” Overtime it came to mean something closer to “idea” or “opinion.” But for Plato, and the philosophers who followed him, the term came to meant “reason” or “truth.” More than that, it served as a name for the system of argument, called dialectic (in which two interlocutors debate back and forth, eliminating probability to arrive at a higher level of certainty). Plato thought that all politics should be based on this version of logos, and that anything–either appeals to character or appeals to emotions–simply got in the way of finding the truth. For Plato, truth was something that existed beyond the borders of our physical world, something which, with training and dedication (learning to see past the limitations of this world) the philosopher could access. Your reading tonight, Book VII of Plato’s Republic, narrativizes this conception of logos.

Rhetoricians differ from Plato in two key ways. First, they believe persuasion is essential to maintaining and healthy democracy, and that persuasion requires more than logos alone. While they recognize the importance of argument and evidence (logos) in rhetoric, they also argued that truth alone is not always sufficient to move human beings into action. Rather, humans have to trust the person speaking to them, acknowledge that they belong to the same community as themselves. They need to have a sense of “us.” We call this–sharing a cultural identity and ideology–ethos. And often humans fail to act on things that they know to be true. Often to move them to action requires creating an emotional response. Also, people are not machines, they are not objective. They approach problems from a particular emotional register, with preconceptions and expectations. We call the use of emotional appeal pathos. Rhetoricians believe you can train yourself to identify these preconceptions and work to subtly shape them (since, if you confront someone directly, they might get defensive, resistant, or aggressive). Second, at a more philosophically rigorous level, rhetoricians believe that truth is kairotic, that is, the production of a group of people at a particular place and time. It is neither absolute or eternal, but temporary and contingent. It is not something we access or discover in a world beyond this one. Rather, every truth is man made, and must be revisited and renewed. We renew our social truths through sharing speech and language.

Not surprisingly, Plato found these ideas not only wrong, but dangerous. Truth for Plato wasn’t easy to discover, it required natural ability, training, and dedication. Hence, incompetent and lazy people invented reasons why Truth was “impossible.” And while Plato was very suspicious of written language (even though he was a voracious writer), he believed any miscommunication was a mistake that could be cleaned up through better words. Much of 20th century philosophy is a battle over this very point–whether words have clear and exact meaning and miscommunication means an error on the speaker/writer or the listener/reader, or whether words work *because* listeners are always in a process of (re)inventing the speaker’s meaning, and miscommunication is a necessary possibility if we are to have communication at all (note: the second position won). Contrary to Plato, we now accept that our access to language is mediated through language and the personal, cultural, social, political, economic, etc. experiences that shape our understanding and inhabiting of language. Or, at the rhetorican Kenneth Burke put it in the 1960’s:

Men seek for vocabularies that are reflections of reality. To this end, they must develop vocabularies that are selections of reality. And any selection of reality must, in certain circumstances, function as a deflection of reality.

Today I attempted to stage an experiment to demonstrate how playful language can be: “why are you here?”

But Plato would dismiss Burke’s insistence and my little joke as meaningless, mere parlor tricks. In your reading tonight, he will open with an allegory that illustrates the dangers of sophistry, rhetoric, etc. Most people, he argues, are trapped in a kind of cave. What is it that keeps them trapped? Well, it might be their own lack of intellectual ability and laziness (Plato was an elitist and thought democracy was a very bad idea–the selection you are reading for homework is from his long work The Republic, in which he argues for reforming government around an intellectual oligarchy). So, what keeps them trapped? Rhetoric, and the power-hungry sophists who use it.

I recognize that this will be a challenging reading. I imagine few of you have experience reading ancient Greek dialogues, and the terminology, syntax, and style will be challenging. But I want you to work through it. Should you pursue a career in Technical Writing, you will be charged with learning to reading and summarize difficult text that speaks a specialized language. Working with the source texts during this first unit will give you an opportunity to practice that skill. Remember, too, that our goal here is to gain an understanding of how classical perspectives on education still do or do not inform our contemporary schools (both high schools and colleges). To what extent can you see Platonic influence on your own secondary or higher education?

Homework

Read Kennedy’s entry on Plato–this should give you some helpful contextual information and an overview of the dialogue. Then read the following sections of Plato’s Gorgias:

  • Socrates’ “debate” with Gorgias (pages 791-809)
  • Socrates’ feud with Callicles (pages 826 -869)

This will be one of the longer, more sloggy, reading assignments this semester. Put aside about two hours to get through them. Focus your energy on some of the longer passages.

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ENG 201 1.T: Introduction

Today’s plan:

  • Syllabus
  • Brumberger and Lauer
  • ABO on emails

Essential Systems

Here are the things/spaces you will need:

  • Syllabus
  • Google Drive Account
  • Canvas Files and Discussions

Brumberger and Lauer on Jobs

Our first project is rooted Eva Brumberger and Claire Lauer’s article “The Evolution of Technical Communication: An Analysis of Industry Job Postings.”

ABO on Emails: A First Day Assignment

The first genre we are going to work with this semester is emails. I expect all correspondence between us to reflect the principles laid out by ABO on pages 164-168.

A few other resources for today:

I’d like you to compose a short email to me (marc dot santos at unco dot edu) that does three things:

  • introduces yourself (and your academic/professional trajectory) and
  • explains your interest in the course (what are you hoping to learn? why are you here?)
  • asks me a question that I can answer

I’ll give you time to compose your emails and then we will read them collectively as a class.

Homework

Thursday we will be meeting in Ross 2261.

To prepare for project one, finish reading Brumberger and Lauer’s (2015) “The Evolution of Technical Communication: An Analysis of Industry Job Postings.” You can find a .pdf of the file in Canvas (Files section). I would like you to print out a physical copy of the article and annotate it as you read.

By annotate, I mean I would like you to write comments in the margins and on top of the page. There’s a lot of different methods for annotating, and I wouldn’t force any one method on you. I tend to underline text that either highlights the author’s purpose/argument or that I find difficult or disagree with. BUT every time I underline something, I try to write a word or phrase at the top of the page that captures the essence/importance of that passage. Underlining without writing isn’t useful. Writing notes in the margins helps with retention and comprehension. Throw away your highlighter.

After you read and annotate, please post a 150-250 word response to the article in Canvas. In the future, I might ask you to focus your response on a specific element of a reading. For our first reading, I want to know two things: what in the article surprises you? What else do you wish the authors elaborated?

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ENG 229 T.1: Introduction

Today’s Plan:

  • Rule of Thirds
  • Share
  • Syllabus
  • Intro Video Assignment
  • Stockman
  • Homework

Rule of Thirds

A very brief introduction to one of photography/cinematography’s core principles: the rule of thirds.

I have a quick task for you: go outside and take two pictures of the same person or object, one that exemplifies the rule of thirds and one that defies it.

Planned time: 25 minutes.

Syllabus

Let’s take a look.

Planned time: 10 minutes.

Intro Video Assignment

For your first night’s homework, I want you to shoot and edit a very short video of yourself. Introduce us to something you can do, or something you like, something that you feel makes you unique. This is meant as a low-stakes, diagnostic assignment. Teaching writing is always tricky, because you never know someone’s previous history with/relationship to writing. People come into a class with widely divergent experiences. I find this is even more so with video. My guess is at least a few people in the class are aspiring or experienced filmmakers and a few people in the class have never shot more than a few seconds of video (we can talk about the differences between film and video later). Some of you probably have experience multi-track editing in Audacity. That sentence probably makes some of you a bit panicked. Don’t panic. As I said in the syllabus, this course assumes no previous experience with video. I’ll walk us through every step of the process. But, before I do that, I want a sense of where to start. That’s what this mini-assignment if for.

Steve Stockman

Before you shoot your project, let’s spend a little time with Steve Stockman, author of How to Shoot Video that Doesn’t Suck. Stockman provides us with five basic principles for shooting video:

  • shots should be 10 seconds or less
  • Whites of their eyes (faces)
  • Light behind the camera, not behind the subject
  • Keep the camera still, don’t shoot and move
  • Keep your video short

If you are unsure what Stockman means by shots, maybe this will help.

Homework

Everyone will shoot and upload a video.

Expectations:

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ENG 319 1.T: What Is(n’t) Rhetoric?

Today’s Plan:

  • Opening Exercise
  • Syllabus
  • Google Drive / Google Doc
  • Canvas Folder
  • Reading Walter Ong
  • Homework

Exercise: What Is Rhetoric?

Planned time: 20 minutes

Essential Systems

Planned time: 30 minutes

Reading Walter Ong / Homework

Planned time: 25 minutes

Homework: finish reading the Ong essay and contribute to our shared reading document. Create a Google account if you do not already have one. Be prepared to share your gmail address with the entire class.

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ENG 225 16.W: MLA/APA, Course Evaluations

Today’s Plan:

  • MLA/APA Format
  • Course Evaluations
  • Homework

MLA/APA Format

First, let’s examine the basic checklist of concerns. Then I’ve got an exercise:

When you are done, you can submit this to canvas.

Homework

Submit a copy of your rough draft to Canvas by Friday at midnight!

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ENG 201 16.W: Linkedin and Course Evaluations

Today’s Plan:

  • Cover Letter Feedback
  • Linkedin
  • Course Evaluations
  • Homework

Linkedin

Today we are going to be setting up linkedin accounts. Many of you already have a gmail account with your professional/pen name. Good!

First, let’s skim two quick articles on linkedin. Then we will set up accounts.

My expectations for your web presence project:

  • A graphic and engaging website that contains
    • An “About Me” or personal description
    • A resume
    • A portfolio of at least four works with some level of textual splash/blurb/description
    • Contact information, including links to professional social media
    • Something else?
  • A Linkedin account that contains
    • Education
    • Skills section
    • Location
    • Summary Statement / Elevator Pitch (40-50 words)
  • I’ll also collect a final cover letter. Remember that the cover letter, resume, and portfolio should share some level of branding (especially the cover letter and resume).

Homework

On Friday I’ll provide details for handing in final versions of these materials. I also want to talk a bit about the second project–the personal learning project.

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ENG 225 16.M: The Beginning of the End

Today’s Plan:

  • Draft/Final Rubric
  • Intros and Conclusions
  • Scoring a Sample Paper
  • Homework

Intros and Conclusions

Introductions have three primary objectives. Of course you know that they lay out the “argument” of a paper. I scare-quote argument because I want to highlight its range of meanings here. It doesn’t necessarily mean argue in our everyday sense. It means something closer to “articulate the purpose of.” This might mean contesting the meaning of a text, advocating for a policy, or contradicting a proposal. But it can also mean something less agonistic.

Introductions should also develop kairos, an ancient Greek term that translates into something like “opportune moment.” It is hard to translate kairos directly into English, because we don’t have an easily accessible sense of time as lived, felt, embodied experience. We tend to think of time as chronos, as measurable passing units. Regardless, an introduction needs to express to the reader why the “argument” you are making matters. And to whom it matters. Who *are* your readers? Why do they care? This is without doubt the hardest thing for me to teach you because doing this well is extraordinarily subtle and requires imaginative role play. I’ve removed it from the rubric this semester, but still call attention to it. In conferences, I asked many of you what your “problem” was and how you could point to evidence of that problem in the intro. That’s building kairos. But it doesn’t necessarily get at the intricacies of “audience.” That is something you will develop as you engage a professional field. Writing about video games in Education is very different than writing about video games in Women and Gender Studies or Cultural Studies or even in my field, Rhetoric and Composition. Each of these professional, scholarly fields has their own expectations, tendencies, accepted methodologies, vocabularies, list of prominent concerns, critical theorists and lenses, etc. etc. etc. This semester I have tried to expose you to a range of research methods, such that you should be able to navigate research and scholarship you encounter in any field. But the exact preferences and expectations will not only vary field to field but professor to professor, since we all can come from different schools of thought and career trajectories.

Now I need to write something about conclusions. I wish I had something really concrete to share, a formula you can follow (like the quasi-formula for an introduction above). Unfortunately, I don’t. I can recite the tired tropes you’ll find it you google “how to write a conclusion”: reiterate your thesis, summarize and point to your key evidence, etc. But that’s not going to produce a great conclusion. The thing about a great conclusion is that it is unpredictably and idiosyncratically tied to its argument. Sometimes it is best to pose a question for future research (although be careful with this strategy). Sometimes you close with an attempt to be prophetic and poetic–to stretch your research to the stars and across the cosmos. Sometimes you want to close emphasizing what the reader can/should *do* next, how to act on the information you have given them. Sometimes you end with a personal anecdote, explaining why this research is so important, why you felt compelled to conduct and share it. Sometimes you end by hoping your research can inspire a change. Sometimes you end with a warning, an attempt at a pathetic appeal for what the world might look like if we ignored this research. Sometimes you end with a different kind of warning, one that acknowledges the limits of your research.

Homework

For Wednesday’s class in the lab, we’ll be reviewing citation formatting. It will be helpful if you have access to a digital copy of your paper draft.

Let’s talk about Friday.

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