ENG 201 4.W: Gantt Charts and Potential Projects

Today’s plan:

  • Reviewing the Research and Proposal Project
  • Potential Projects
  • Making Graphs
  • Making a Gantt Chart

Report / Proposal Assignment

Let’s review the work from last week.

Report Structure/Deliverables

  • Summary
  • Report
    • Methods: Here is where you write up the methodology of our job analysis research. I am testing you on how well you can elaborate a complex research protocol into concise, easy-to-follow instructions. The methods section of a research article should enable another researcher to recreate your work. What does that person need to know?
    • Data / Findings: For each of the following, I want to know at least the 3 highest coded attributes. I want to see a graph that tells me in what percentage each attribute appeared. We will learn how to make a simple graph in Google Slides next Wednesday.
      • Tools and Tech
      • Professional Competencies
      • Personal Characteristics
    • Discussion / Conclusions: If you’ve ever read any science research, then you will be familiar with the genre–first, the research shows you the numbers, next they tell you what it means. What number is surprising, most significant. How do the numbers compare to previous research (hint: Brumberger and Lauer). I also expect you to identify how this research resonates with YOU. For instance, last semester we found a high expectations for familiarity with social media and CMS. Many students indicated that they already had some level of experience with social media (though there was a wide discrepancy between personal and professional use). But far fewer students had experience with a CMS. So even though more more jobs called for SM, many of the student proposals focused on learning a CMS.
  • Proposal
    • Rationale / Problem / Goal: This section of the proposal concisely reiterates the discussion section above. Then it moves to propose (like a mini-introduction) what you will do over the next three weeks
    • Costs / Materials:
      Includes a review of possibilities and a justification for why you are using what you are using. If, for instance, you focus on a CMS, then tell me what CMS you will use and why you picked it (I recommend either Squarespace–if you are willing to spend money–or Google Sites if you are looking for a free alternative. There is also Weebly and Wix, though I find their interfaces kind of annoying). Do some research and make an argument for what tool you will use. ALSO, tell me about the research process you used to identify a meaningful tutorial. If you tell me that you just selected the top Google hit, then I will think less of you. Be better. Be smart.
    • Deliverables:What you plan on giving me as a final product
    • Gantt chart [timeline]: We will work on this next Wednesday, essentially, it is a calendar. Make your own syllabus

A complete draft of this proposal report will be due in class next Friday. A final version of this project will be due Sunday, February 3rd at 11:59pm. Length will vary, but I expect a report between 800 and 1200 words (and 1000 is an absolute ceiling, I’ll knock a letter grade off the paper if you go above 1200).

I have office hours on Tuesday from 12:30-3:00. I will also make myself available next Thursday (tomorrow) from 2:00-3:00.

Gantt Charts

I’ve asked that the proposal portion of your Project One contain a gantt chart visualizing what you plan on doing for the second project. For instance, you might come up with the following:

  • Do tutorial one for InDesign
  • Do tutorial two for InDesign
  • Send Santos tutorial results
  • Meet with church volunteers
  • Take photographs for flyer
  • Design flyer for upcoming bake sale
  • Send flyer to volunteer coordinator

In the proposal I expect to have links to specific tutorials. And perhaps you cannot find a real world client–that’s fine. But you get my point: I want you to lay out a 3 week project. Include at least two days that you will send me a short 200-300 word memo updating me on your progress.

Today we are going to learn how to take a list like the one above, input it into Excel, and use a simple algorithm to produce a visualization.

We are going to use Ablebits’ tutorial for making a gantt chart in Excel. I expect this to take 15-25 minutes (though it might take longer).

Homework

Please remember that we are peer-reviewing drafts of your proposals Tuesday. I’d like you to have a complete proposal (see our Project One workspace for more information). In short, the proposal should be business formatted (single-spaced, block paragraphs, written in active-voice) and contain at least four sections:

  • An Overview or Summary
  • A Job Research section that includes job postings data presented in tables and a discussion of the results
  • A Proposal section that
    • Argues, based on the previous research discussion, for what you want to learn/document
    • Identifies what Deliverables will be produced
    • Includes a gantt chart mapping out progress milestones

I will leave it to you to figure out how to take the chart out of Excel and insert it in your document. There’s a few ways to do this. If you are struggling, then think path of least resistance (take a screen grab, crop it, viola).

In constructing your Gantt chart, please remember that we are working on Project Two for 3 weeks–from Monday February 4th to Friday February 22nd . During that time period, I will assign minimal homework (most of which will be reading an essay a week as we have been doing). I am giving you an opportunity to write your own syllabus. Let me know if you need help finding quality tutorials or are unsure what you could produce as a deliverable! These are great questions for office hours tomorrow (from 2:00-3:00 in Ross 1180D).

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ENG 225 4.W: A Wicked Wolf

Today’s Plan:

  • Canvas Quiz
  • Let’s Talk Wolf

Williams and Bizup Canvas “Quiz”

It isn’t really a quiz. Maybe we should do this for homework.

Let’s Talk Wolf

Hey look, a form.

Homework

Keep playing. Keep writing in your journal.

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ENG 329 4.M: Ahmed, Jenkins, and Affective Objects

Today’s Plan:

  • Watch Project One Videos
  • Affective Objet Heuristic
  • Homework

Affective Object Heuristic

Today I want to continue our intellectual wandering. In preparation for today, I’ve asked you to read the Jenkins and the Ahmed. We are going to begin by focusing on the latter, developing a heuristic we can use to both interrogate the former and guide you through your own writing. In rhetoric and writing studies, heuristic is the term for a set of questions that can help spur invention.

We are going to engage in a close reading of the Ahmed to generate these questions. In aesthetics, there’s a long standing debate regarding whether creativity is an innate capacity or whether it can be taught. I’d say that it is potentially both. There are folks who have a natural ability to see new possibilities, to boldly go where none have gone before. But this is not the only way to think creativity: I also think about it as the ability to (re)invent, to see within an existing artwork possibilities for transformation or reapplication. That’s what we are going to work on today.

Homework

It is time to do some writing. I’d like you to draft the script for your Affective Object film. These films should be 3 minutes to 5 minutes in length. This means you need a script of 400 to 600 words.

I leave the content and organization of your script up to you, though I have one requirement. At some point, I want you script to use the term “affective object,” define it in a sentence or two, and use a direct quote from our readings that helps flush out that definition.

Other than that, you are on your own. But hopefully the questions we generated today, and the elements we identified in Kalman last Friday can help shape your writing. If you don’t know where to start, those questions should provide launching points. My guess is that you will write much more than 600 words: that’s ok. Have your scripts completed by Friday.

Additionally I’ll ask you to read the Schroeppel Bare Bones, chapters 6, 7, and 8. We are going to use those chapters to generate expectations for the next project. Bring the Schroeppel.

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ENG 329 3.F: Kalman as Affective Artist

Today’s Plan:

  • Listening to Kalman (15 minutes)
  • Elements of her Process (15 minutes)
  • Reading (8 minutes)
  • Free Writing (8 minutes)
  • Homework

In today’s class I want to work out a bit more what we might mean by “affective object.” We’ll be listening to Kalman discuss her aesthetic and then talk about My Favorite Things.

A question that can resonate throughout today’s discussion: why is she interested in broken furniture, shoes, buttons, and books? That is–I don’t think her work is simply an exposition of collections. There are currents that run underneath.

The following video approaches some of those currents, although I do not think that she explicitly details them. As we watch the following video, I’d like you to take notes–pay attention and record things that can help us explicate her process. What are the ingredients of a Kalman? What are the steps in the recipe? How do we “cook” those ingredients (arrange them, process them, etc)?

2012/10 Maira Kalman from CreativeMornings on Vimeo

See here for more notes.

Notes toward a process:

  • A focus on specific places
  • How happy are you / how sad are you? Interrogating one’s feelings
  • “Which brings me to the chicken” / sudden transitions. Lack of explicit connection. Leaving the reader to make connections and fill in gaps.
  • The unexpected, odd little moment.
  • First instinct: Time. Precious. Fleeting. Be aware of the moment. Greatest moments when you are on your own. (Why? Because you are open to an encounter).
  • Living the Journey: walk around the block, or a trip to India. You can see as much in a walk around the block as you can on a trip around the world.
  • How do you navigate the world with a sense of humor?
  • An interest in history. Tracing the history of specific objects.
  • Juxtaposition: Lincoln. Personal history [Subjective]. National history [Objective]. Breakfast at the museum. A hat. Serendipity.
  • An empty brain. Not a stupid brain.
  • The dog and bemused indifference.
  • Idiosyncratic details.
  • “I didn’t have to think, I just fell in love with it.”
  • The countess / Cindy Sherman / presence as performance art as interruption

Let’s think about that final slide she shares. What does this tell us about how Kalman approaches life and art?

Potential Themes

I noticed two dominant themes in Kalman’s work, the first was the prevalence of sadness, it’s inevitability. The second, and obviously related, was the passing of time, the inevitability of change and, ultimately, the reality of death.

This theme first surfaces on page 15, when she writes “Somewhere not too far away, the czar and the czarina with their beautiful children, all in white, were taking tea in their palace.

Soon that would end. As all things do.

This sadness really hit me on page 61: “Watching a person eat soup can break your heart.” And again on page 37: “You can rely on sadness. Happiness, well…that is a different story.” Page 87/88, from a door: “People were always coming and going and dying. She was killed in the Holocaust. Which brings us inevitably to sorrow”

And this acknowledgement of sadness leads a realization of death. Page 34:

There is a piano, and music will be played in the room.

And it has something (or everything) to do with Life and Death.
And Time. Always Time.

And page 65’s nostalgic discussion of old candy stores and candy boxes carefully hand wrapped (a time long past). And these two themes wrap up in the book’s conclusion, on pages 141-145.

But I want to suggest that these themes, the objective message of the text, are offset, juxtaposed, against the earnest joy of the everyday and the idiosyncratic. See especially page 78.

In short, I want to suggest that Kalman provides us a method for tracing the affective resonances of objects. How they compose us. How they resonate with us. Reflecting on objects and our investment in them, their histories, our histories, becomes a electrate method of introspection and invention.

Homework

Read the Amhed and Jenkins readings (available in the files section of Canvas).

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3.F: Cleaning House

Today’s Plan:

  • Spreadsheet Issues
  • Report / Proposal Assignment
  • Homework

Spreadsheet Issues

As I emailed out yesterday, there were some issues with the spreadsheet. I went through everyone’s Google Doc Workspace. If you’re Workspace link worked and you submitted 10 jobs, then you got a 1-10 score. Only 6 people got a score, which means the majority of you didn’t quite understand the assignment. I will try and find time to regrade the other submissions, but I don’t think I will get to them until Monday.

Let’s look at the spreadsheet. So:

  • If a job entry is green, then everyone who worked on it got full credit. It is complete. Bravo!
  • If a job entry is orange, then everyone who worked on it got 1/2 credit. It is missing some necessary codes. In some cases I have highlighted what I think is missing. It needs to be fixed before you begin your research analysis for the report.
  • If a job is red, then everyone who listed it got 0 credit. It is not coded. Do not pass “Go,” do not collect $200 dollars.

Let me make this explicit: you cannot start working on your research report until you have all green jobs. If you have orange jobs in your list, go fix them.

Report / Proposal Assignment

Let’s review the work from Wednesday.

Report Structure/Deliverables

  • Summary
  • Report
    • Methods: Here is where you write up the methodology of our job analysis research. I am testing you on how well you can elaborate a complex research protocol into concise, easy-to-follow instructions. The methods section of a research article should enable another researcher to recreate your work. What does that person need to know?
    • Data / Findings: For each of the following, I want to know at least the 3 highest coded attributes. I want to see a graph that tells me in what percentage each attribute appeared. We will learn how to make a simple graph in Google Slides next Wednesday.
      • Tools and Tech
      • Professional Competencies
      • Personal Characteristics
    • Discussion / Conclusions: If you’ve ever read any science research, then you will be familiar with the genre–first, the research shows you the numbers, next they tell you what it means. What number is surprising, most significant. How do the numbers compare to previous research (hint: Brumberger and Lauer). I also expect you to identify how this research resonates with YOU. For instance, last semester we found a high expectations for familiarity with social media and CMS. Many students indicated that they already had some level of experience with social media (though there was a wide discrepancy between personal and professional use). But far fewer students had experience with a CMS. So even though more more jobs called for SM, many of the student proposals focused on learning a CMS.
  • Proposal
    • Rationale / Problem / Goal: This section of the proposal concisely reiterates the discussion section above. Then it moves to propose (like a mini-introduction) what you will do over the next three weeks
    • Costs / Materials:
      Includes a review of possibilities and a justification for why you are using what you are using. If, for instance, you focus on a CMS, then tell me what CMS you will use and why you picked it (I recommend either Squarespace–if you are willing to spend money–or Google Sites if you are looking for a free alternative. There is also Weebly and Wix, though I find their interfaces kind of annoying). Do some research and make an argument for what tool you will use. ALSO, tell me about the research process you used to identify a meaningful tutorial. If you tell me that you just selected the top Google hit, then I will think less of you. Be better. Be smart.
    • Deliverables:What you plan on giving me as a final product
    • Gantt chart [timeline]: We will work on this next Wednesday, essentially, it is a calendar. Make your own syllabus

A complete draft of this proposal report will be due in class next Friday. A final version of this project will be due Sunday, February 3rd at 11:59pm. Length will vary, but I expect a report between 800 and 1200 words (and 1000 is an absolute ceiling, I’ll knock a letter grade off the paper if you go above 1200).

I have office hours on Tuesday from 12:30-3:00. I will also make myself available next Thursday from 2:00-3:00.

Homework

Remember that we are discussing the Herrick reading on Monday. You will find a .pdf of the Herrick in the files section of Canvas, and a discussion forum. Post in the forum prior to Monday’s class.

Fix the fracking spreadsheet.

Begin drafting the Report/Proposal.

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ENG 329 3.W: First Projects, What is Affect?

Today’s Plan:

  • Watch Project One Videos
  • Project Two Timeline
  • What is Affect?
  • Homework

What is Affect?

For the rest of the week I’d like to take a short break from discussing cinematography and technology and lay some aesthetic foundations for our second project. Our second project will attempt to fuse two inspirations: the work of multimodal artist Maira Kalman and contemporary work on affect.

In general use, the terms affect, emotion, and mood tend to be interchangeable. But in psychology–and by extension across the humanities–affect is different from emotion. Emotion is something that I know I feel. I can articulate it. I am consciously aware of it. For instance, I am sad.

Affect is different, however. It points to how “I” feel before I know how I feel. It is the feeling emanating through my body and influencing my consciousness. Affect affects how I exist in the world at a given time. This notion of affect I am developing resonates with Heidegger’s phenomenology–that our experience of our own being occurs within the bounds of a particular, but often inarticulable, mood.

In Rhetoric, studies of affect explore how places and spaces can subtly influence our moods. Thomas Rickert refers to this as attending to ambience: how space influences affect/feelings and thus structures or influences our experiences. One might be familiar with the derive of Situationalist International from the 1950’s and 1960’s. In the past, I have taught video projects that have attempted to tease out the affective registers of a place.
This semester I am interested in exploring something different. I am interested in having you explore your affective connection to an object–to, in a sense, think about how an object orders you, (re)frames you, changes you, authorizes you, affects you.

First, however, I want to make a concrete connection between video and affect. To do this, I’d like to reference Walter Ong’s work on literacy. Ong studied how the invention of writing changed the way people thought. Here’s a link to my stock lecture on Walter Ong. When I was writing my dissertation a decade ago, I was one of many scholars prompted by Ong’s work to think about how the Internet might change metaphysics, ontology, epistemology, ethics, etc. I was thinking particularly of Wikipedia, and argued that we would move away from singularity, autonomy, permanence,
and certainty and toward plurality, interactivity, transience, and risk/ambiguity.

But the Internets-as-wikipedia (digitally manipulable and responsive text) are not the only sweeping technological change constituting what Gregory Ulmer has termed “electracy.” There’s also video. Video is quite different than literacy–in either print or digital form. Video, I want to argue, amplifies feeling and mood. Video can capture ambience. It can–without words–explore and communicate feeling. But video is linear. It is determined by a single author. Once shot and/or streamed, it cannot be edited by the audience. We receive video the same way we receive a printed page. There is no “reply” box. We cannot speak back to a video the way we can to a tweet. But, again, video is always more than the words it communicates.

I call this project the “Affective Object” project. Over the next week, I’ll ask you to unpack what that might mean. I’ve started that work here. Next week, you will compose an assignment sheet in which you explicate what affect means, what an affective object might be, and lay out what object you might focus on for an affective object video. Following that you will generate a script for your project. You will indicate locations where you will shoot your video. Later, we will explore more of the Schroeppel and develop technical requirements for the video similar to the first project.

This week we will focus on reading material that might help us develop this project. One major relay will be Kalman’s My Favorite Things. I don’t want you to recreate Kalman’s project. That would be boring. I do want you to identify key elements of Kalman’s project (think like ingredients in a recipe) and then think about how you might incorporate those dimensions into your own project.

We will also read a smattering of affect theory. I will give a complete timeline of the second project in Friday’s class.

Homework

For Friday, read pages 1-104 of Kalman’s My Favorite Things.

For Monday, I will ask you to read three things. Please print copies of .pdf articles and annotate them. Come to class ready to share two elements of a potential affective object project per article (I will ask you: what is one sentence or paragraph in the article that helps us trace out a definition of an affective object?”).

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ENG 225 3.W: Sicart Analysis Paper

Today’s Plan:

  • Calendar Update
  • Games and Gaming Journal
  • Review Sicart Questions
  • Finalize Game Choice
  • Homework

Calendar Update

Let me map out the rest of Project One.

Friday, January 25th: Review Sicart papers. Homework: Play your game and write in your journal.

Monday, January 28th: Williams and Bizup on actions. Homework: Play your game and write in your journal.

Wednesday, January 30th: Academic writing and the genre of the analysis paper. Homework: play your game and write in your journal.

Friday, February 1st: Assignment details for the analytical paper. Homework: Play your game, write in your journal, invest 30 minutes into your paper.

Monday, February 4th: Williams and Bizup on characters. Homework: Finish your game. Invest an 30 minutes in your paper.

Wednesday, February 6th: APA workshop. Homework: complete draft of Sicart paper. Bring a paper copy to class on Friday.

Friday, February 8th: Peer review Sicart drafts. Homework: Revised Sicart papers due Sunday at 11:59am.

Games and Gaming Journal

I want to be specific about what you are doing in your gaming journal. The upcoming paper assignment asks you to evaluate a game according to Sicart’s criteria for an ethical game. You’ve just completed a paper that lays out this criteria. And we’ve got a Google Doc full of questions to consider as/after you play.

Let’s revisit those questions.

Decision time people.

Homework

Play your game and write in your journal.

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ENG 201 3.W: Report/Proposal Assignment

Today’s Plan:

  • Check in on job lists and job sheet
  • Project 2 Assignment Sheet
  • Homework

Job Lists and Sheet

Let’s take a look.

As you will see in a minute, every job in the sheet needs to be categorized as either:

  • Writer
  • Editor
  • Social Media
  • Designer
  • Sales

Project One Assignment Specs

Your first major assignment this semester asks you to report on the skills required for a particular job category. You will compose a report based on your analysis of all jobs in that category.

Your report will have to do more than simply inform me on requisite skills. It will also serve as a proposal, outlining a three week course of study that you will follow to learn one (or two) of those skills.

For the proposal portion of the report, you will identify a job skill that you would like to develop. You will research methods for gaining said skill and layout a 3 week course of study (how many hours per week will you dedicate to the activity, how can you document those hours spent, what tutorials/readings will you do, etc).You will need to detail what deliverables you will be able to share at the end of the three weeks to document your new abilities.

Note: I am perfectly open to you collaborating and working together on this project. Share your data. Develop a calendar together. I will expect everyone to turn in their own deliverables for the project, but it might be wise to commit to learning and developing something with a teammate (or teammates).

Flushing Out Expectations

In today’s class, I would like you to collaborate and develop the assignment sheet for this project. Below you will find a link to a Google Document. The second page of the document contains a space called “Links, Notes, and Material(s).” As you work in teams of two in class today, I’d like you to put material in that space. In the last 15 minutes of class, we will review that material to flush out the assignment expectations.

So in ABO we’ve got:

  • Feasibility Reports
  • Formal Reports
  • Investigative Reports
  • Tables

A few other resources:

We’ve also got to look at the section on Proposals (429). We can consider this a Formal Internal Proposal. Let’s look at proposals.

This project will require you to develop a gantt chart.

Here is our collaborative workspace.

Homework

First, make sure you have coded all your jobs. Make sure the 10 jobs on the list you submitted to me are properly coded. Last chance.

Second, begin analyzing your data. I advise creating your own spreadsheet built around skills rather than job titles.

Like this for example.

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ENG 201 2.F: Coding Jobs

Today’s Plan:

  • Check the Integrity of the Job Sheet
  • Quick Job List Assignment
  • Coding
  • Homework

Check the Integrity of the Job Sheet

Let’s take a look.

Quick Job List

I would like you to update the Google Doc you submitted to me (note that some of you previously linked to a folder, you will need to create a new document and update that link in Canvas).

Coding

I have updated the coding scheme. Let’s reexamine the coding process from last class.

Setting Up Our Collaborative Research Document

Here is a link to the document. You will populate this document with your ten sample jobs.

  • Jobs should be included alphabetically. To include a new job, right-click and add a new row above/below as necessary. Do NOT include multiple copies of the same job.
    • If another person includes a job you are coding, then you should go in and check their codes. IF you find a code that they didn’t, change the color of that code in the Google Sheet to yellow. If you disagree with a code they made, change the color of that code to red.
  • Create a link to the job advertisement. Make sure that the link is set to “Anyone with the link can edit.”
  • Identify the Job Category. I want to use a modified version of the categories. Examine, in the top of the job ad, the Function and Specialties. Then choose one of the following:
    • Social Media or Web Specialist
    • Editor
    • Designer
    • Writer
    • Sales or Marketing
  • Coding Process:
    • We have a two part coding process. First, go through the job advertisement and insert any codes as a comment.
    • Second, input all codes for an advertisement in the Google Spreadsheet
    • Note on working in Google Sheets: double-click on a box to update codes

Homework

Get to coding jobs.

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ENG 225 2.F: Let’s Talk Writing

Today’s Plan:

  • Sicart Review Paper
  • Writing Rubric
  • Sample Paper Evaluation

Sicart Review Paper

Your first writing assignment will be due before our next class session on Tuesday, January 22nd at midnight. This will give me some opportunity to review the papers Wednesday before class.

What should this paper do? Your overarching task is to explain what Sicart believes constitutes an ethical game. Every paragraph in the paper should focus on a specific element Sicart describes. In total, your paper should explicate 3-5 different elements. My general expectation is that you will draw upon every reading assignment in the Sicart (note that one idea might be developed in several different chapters–your paper should not simply be a summary of every chapter). These paper should not exceed 800 words. I mean it.

Every paragraph should open with a topic sentence. Every paragraph should contain at least one paraphrase or direct quotation from Sicart.

This paper should be formatted in APA format, but it does not require a title page or an abstract. In place of a title page, just put your name, course name, semester, and instructor name at the beginning of the paper MLA-style. It does require a Running Head. The paper should include a References list. It is quite likely that Sicart will be the only reference on the list (I am just checking for global formatting). Information regarding APA formatting is in the Hackers and Sommers Pocket Manual or can be found at the Purdue University OWL.

Let me clarify that you are writing an evaluation of Sicart. Your purpose is to explain his theory of ethical games to someone who has not read his book. I am *not* asking you to evaluate Sicart’s theory. When you are writing academic reviews, I shouldn’t necessarily be able to tell whether you agree with the review or not. You present the information, and leave it to the reader to make her own judgement (this is obviously different from argumentative writing, where you defend a particular position). This writing has an argument only insofar as it argues for an interpretation of Sicart’s work.

Below I articulate three important elements of writing that I will use to evaluate your first paper: developing a specific thesis, properly contextualizing and analyzing evidence, and maintaining logical development.

That said, every piece of academic writing should offer a “thesis” in the introduction. I tend to hate this word, because it comes with so much baggage. For me, a strong thesis lays out AS SPECIFICALLY AS POSSIBLE what information a paper will present. It is a kind of idea map. Let me show you a few potential thesis statements:

  • I explain Inoue’s theory of anti-racist writing assessment
  • I explain Inoue’s theory of anti-racist writing assessment, noting his key terms and summarizing his suggestions for new teachers
  • I explain how Inoue’s theory of anti-racist writing assessment might create problems for teachers who prioritize grammar as the central concern of writing instruction

All those examples are bad. Don’t do that. Do this:

  • I explain how Inoue’s theory of anti-racist writing assessment emphasizes the importance of familiarizing students with assessment rubrics, often through practice norming sessions
  • I explain how Inoue’s theory of anti-racist writing assessment calls for teachers to separate grading and assessment from the act of providing feedback. When students encounter feedback alongside grades, they often receive that feedback as a justification for a (bad) grade rather than as an attempt to guide and develop their abilities. Inoue makes clear that providing distance between grades and feedback increases the likelihood that students engage and implement feedback

Here’s the deal y’all: WRITE YOUR THESIS LAST. Trust me, I’ll know if you write the introduction before you write the paper. Pro-tip: when you are done with your rough draft compare the thesis in your intro to the conclusion. You won’t know what a paper is actually going to say until you write it!

Pro-tip #2: academic and professional writing are not mysteries. This isn’t Scooby-Doo. Don’t keep me in suspense. Make sure all the important things you find in the course of a paper appear in the first few sentences, paragraphs, or pages (depending on the length of the paper). Front load, front load, front load.

Okay, on to point #2–working with sources. From the rubric:

  • Is the evidence in each paragraph sufficient to support claims?
  • Does the writer’s transitions provide enough context to help a reader? A description of the methods to understand the value of a statistic, for instance, or enough explication of a quote’s significance? Do I feel like I know where the evidence comes from or is it suddenly thrust at me?
  • Connect the evidence to the claim of the paragraph? Put the evidence in conversation with other paragraphs?
  • Is it clear where a source stops thinking and the writer’s own thoughts begin? Is there an “I” that differentiates the writer from her sources/”they”? Is the writer adding something to the quote, or just leaving it there?

Plagiarism. It isn’t stealing words, it is stealing thoughts, ideas. Be sure to make a parenthetical reference when you use a idea from Sicart.

Sicart’s theory of ethical games centers around an idea of play as more than merely diversion or enjoyment. Sicart’s believes play is important because it allows us to explore ourselves and our beliefs. He refers to the ambiguity of moral rules as wiggle room, writing: “To play is to inhabit a wiggle space of possibility in which we can express ourselves–our values, beliefs, and politics” (p. 9). Play, as imaginative activity, makes possible explorations that we might never consider in our regular daily lives. Of course, not all play might meet Sicart’s notion of wiggle rooom. Playing Madden Football allows me to pretend I’m an NFL executive, but rarely does it call me to question my personal or political beliefs. But X game, however, does make me confront questions of Y and Z. When evaluating the ethical power of a game, Sicart’s notion of play asks us to think about how much wiggle space of possibility the game provides.

Next paragraph begins with some kind of transition. Then topic sentence. then context some evidence.

Even if I took the quote out, I need a reference:

Sicart’s theory of ethical games centers around an idea of play as more than merely diversion or enjoyment. Sicart’s believes play is important because it allows us to explore ourselves and our beliefs. He refers to the ambiguity of moral rules as wiggle room, noting how play, as imaginative activity, makes possible explorations that we might never consider in our regular daily lives (pp. 8-9). Of course, not all play might meet Sicart’s notion of wiggle room. Playing Madden Football allows me to pretend I’m an NFL executive, but rarely does it call me to question my personal or political beliefs. But X game, however, does make me confront questions of Y and Z. When evaluating the ethical power of a game, Sicart’s notion of play asks us to think about how much wiggle space of possibility the game provides.

Ok, third thing. Logical Development. What does a period do? Some sample sentences.

Sample Paper Evaluation

Let’s put the rubric to work.

Homework

Complete the Sicart paper.

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